This carefully researched volume offers lovers of both costume and the medieval period a meticulously researched and accurately detailed study of the clothing of the Middle Ages. Following an illuminating discussion of the style and construction of costumes worn in the thirteenth, fourteenth, and fifteenth centuries, noted costume historian Mary G. Houston provides detailed descriptions and illustrations of actual apparel worn by all classes and sectors of society. Included are elaborate royal, academic, and legal costumes; Eucharistic vestments and garments of religious orders; working class apparel; civilian dress; and more. Also examined is a wide variety of accessories and ornaments, jewelry, armor, textiles, embroidery, coiffures, and other items.The clear, succinct text is splendidly documented by 350 black-and-white line illustrations based on contemporary books and manuscripts as well as representations in paintings and sculpture. Indispensable for students of costume history, medievalists, illustrators, and fashion historians, Medieval Costume in England and France will delight anyone interested in the medieval period and its dress.

Drawings, paintings and prints show the clothing and accessories worn during the fourteenth and fifteenth centuries in England and Europe

Medieval European culture was obsessed with clothing. In Fashioning Change: The Trope of Clothing in High-and Late-Medieval England, Andrea Denny-Brown explores the central impact of clothing in medieval ideas about impermanence and the ethical stakes of human transience. Studies of dress frequently contend with a prevailing cultural belief that bodily adornment speaks to interests that are frivolous, superficial, and cursory. Taking up the vexed topic of clothing’s inherent changeability, Denny-Brown uncovers an important new genealogy of clothing as a representational device, one imbued with a surprising philosophical pedigree and a long history of analytical weightiness.Considering writers as diverse as Boethius, Alain de Lille, William Durand, Chaucer, and Lydgate, among others, Denny-Brown tracks the development of a literary and cultural trope that begins in the sixth century and finds its highest expression in the vernacular poetry of fifteenth-century England. Among the topics covered are Boethian discourses on the care of the self, the changing garments of Lady Fortune, novelty in ecclesiastical fashions, the sartorial legacy of Chaucer’s Griselda, and the emergence of... [Read More]

This volume deals with two centuries of costumes and fashions, taking us from basic fourteenth century utilitarian tunics and gowns to the clothing of the Early Tudor period and the start of the English renaissance. Miss Brooke's drawings detail the fundamental differences and similarities, both in idea and style, that persisted throughout the period. Primary sources are used to show the development of the garments and point us to direct references for patterns. There are specific illustrations for hair, shoes and hats as well as the various layers of men's and women's clothing, each divided by the appropriate periods within a century. The drawings are paired or grouped in economic, social or cultural categories to assist in visualizing the relationships of clothing and people for historical and theatrical reference. General diagrams of certain garments are shown so a pattern could be developed for making the garment as well as for an understanding of how that garment was made. The style of the drawings is related sympathetically to the primary manuscript sources upon which they are based; but the garments are shown in a clear style that allows the reader to understand how convinci... [Read More]

By the late fifteenth century the Great Wardrobe, the section of the royal household that supplied the king and his household with clothing and furnishings, was well established in the London parish of St Andrew by the Wardrobe (many of the suppliers of fabric to the Great Wardrobe and many of the individuals who worked for it lived and worked in the city). This volume provides an edition and calendar of the accounts for 1498-99 and 1510-11, as well as the section of the 1544 account relating to Henry VIII's campaign in France. In addition there are two appendices listing the recipients of livery in the extant Great Wardrobe accounts and warrants and an extensive glossary. The Introduction to the edited texts discusses the patterns of supply to the Great Wardrobe and assesses the significance of a small but influential group of Italian merchants who traded alongside the Londoners. Professor Maria Hayward teaches in the Department of History, University of Southampton.

As cousins of history's most tempestuous queens, Ladies Jane, Katherine, and Mary Grey were born in an age when all of London lived beneath the Tower's menacing shadow. Tyrannized by Bloody Mary and the Virgin Queen, the sisters feared love was unthinkable--and the scaffold all but unavoidable. . . Raised to fear her royal blood and what it might lead men to do in her name, Mary Grey dreads what will become of herself and her elder sisters under the reigns of Mary Tudor and Elizabeth I. On their honor, they have no designs on the crown, yet are condemned to solitude, forbidden to wed. Though Mary, accustomed to dwelling in the shadows, the subject of whispers, may never catch the eye of a gentleman, her beautiful and brilliant sisters long for freedoms that would surely cost their lives. And so, wizened for her years, Mary can only hope for divine providence amid a bleak present and a future at the whim of the throne--unless destiny gains the upper hand. A gripping and bittersweet tale of broken families and broken hearts, courage and conviction, The Queen's Rivals recounts an astonishing chapter in the hard-won battle for the Tudor throne.

IN THE ARMS OF DANGERBold. Brave. Brutally handsome. Hugh Fitzroy, the Duke of Kyle, is the king's secret weapon. Sent to defeat the notorious Lords of Chaos, he is ambushed in a London alley-and rescued by an unlikely ally: a masked stranger with the unmistakable curves of a woman.IN THE HEAT OF DESIRECocky. Clever. Courageously independent. Alf has survived on the perilous streets of St. Giles by disguising her sex. By day she is a boy, dealing in information and secrets. By night she's the notorious Ghost of St. Giles, a masked vigilante. But as she saves Hugh from assassins, she finds herself succumbing to temptation . . . ONE KISS WILL CHANGE THEIR LIVES FOREVERWhen Hugh hires Alf to investigate the Lords of Chaos, her worlds collide. Once Hugh realizes that the boy and the Ghost are the same, will Alf find the courage to become the woman she needs to be-before the Lords of Chaos destroy them both?

Costume Of A Peasant From A 15Th Century Miniature was reproduced on Premium Heavy Stock Paper which captures all of the vivid colors and details of the original.Brand New and Packaged carefully in a oversized protective tube. This item Ships Rolled to insure maximum protection.Print Title: Costume Of A Peasant From A 15Th Century MiniatureProduct Type: Photo PrintArtist: Ken Welsh / Design

English Costumes From Second Half Of 14Th Century From The National And Domestic History Of England By William Aubrey Published London Circa 1890 Canvas Art - Ken Welsh Design Pics (18 x

Stretched Canvas Wall Art for your Home or Office. Manchester Town Hall, Manchester, England In The Late 19Th Nineteenth Century. From Our Own Country Published 1898. was carefully reproduced on only the finest Canvas which beautifully details the visual colors and elements of the original work of art. Your museum quality Canvas Art piece was faithfully reproduced using ultra-precision print technology and fade-resistant archival inks on artist premium acid-free grade canvas. The overall dimensions are 16 x 12 inches and this fine Strecthced Canvas Wall Art includes hooks and wiring so that it is ready to hang right out of