This scrupulously researched and abundantly illustrated book includes 315 drawings based on renderings by artists of the period to achieve utmost accuracy and authenticity.Included are elaborate examples of Aegean costume, Doric and Ionic styles of dress for women, Greek and Roman armor, graceful and intricately arranged Roman togas, the tunica — roomy, wide-sleeved apparel; and the pallium, a cloak-like garment. Ornate vestments of the Eastern Orthodox Church and Byzantine costumes are carefully described and portrayed, as are styles of hairdressing, jewelry, and other decorative elements.An excellent reference for the history classroom, the volume also includes instructions and flat patterns showing the cut of sample garments, making it easy for costume designers to reproduce period apparel. This book will be valuable as well to costume historians and art students interested in the development of representative art.

By the sixth century of the common era the Roman Empire already had many hundreds of years of accumulated ceremony embedded in its government, and practical science embodied in its army.The transition from Republic to Imperium and the more hierarchical structure that entailed, and the absorption of Christianity into state processes, had pushed the development of court ceremonial apace, and particularly driven its embodiment and display in ever more opulent regalia. The regalia embraced not only garments of distinctive form and decoration, but also both dress and non-dress accessories. It was crucial in displaying rank and function on an everyday basis, yet was also varied considerably for special occasions. Military dress largely reflected forms current amongst ordinary men, but with an emphasis on functionality, eschewing the excesses of fashion.Detailed literary and artistic sources, archaeology and insights derived from reconstruction and practical experience has gone into creating an incredibly lavish picture of the clothing of the longest-enduring political entity in history.

In Byzantium there were two overlapping systems of dress: a semiotic one whereby dress was a code for rank and wealth, and a fashion system where dress was based on the desire to look a certain way. This book explains secular dress from the eighth to the twelfth centuries through an examination of painted representations.

This collection explores how the body became a touchstone for late antique religious practice and imagination. When we read the stories and testimonies of late ancient Christians, what different types of bodies stand before us? How do we understand the range of bodily experiences—solitary and social, private and public—that clothed ancient Christians? How can bodily experience help us explore matters of gender, religious identity, class, and ethnicity? The Garb of Being investigates these questions through stories from the Eastern Christian world of antiquity: monks and martyrs, families and congregations, and textual bodies.Contributors include S. Abrams Rebillard, T. Arentzen, S. P. Brock, R. S. Falcasantos , C. M. Furey, S. H. Griffith, R. Krawiec, B. McNary-Zak, J.-N. Mellon Saint-Laurent, C. T. Schroeder, A. P. Urbano, F. M. Young

This catalogue focuses on numismatic gold jewelry, from pendants set with coins and medallions to stamped pseudo-medallions, or a combination of both. Special attention is given to the technical issues of mounting techniques.

From headdresses to sandals, from warrior's armor to priestess's robes, the authentic costumes of people from all walks of life in the Roman and Greek civilizations are here pictured comprehensively and clearly. Three hundred finely drawn, detailed engravings (containing over 700 illustrations) show just what was worn by the poets, philosophers, priests and priestesses, peasants, Bacchanalians, emperors, generals, Amazons, and virgins of a bygone age.Carefully copied from ancient vases and statuary by Thomas Hope (1770–1831), a British collector and designer, these engravings combine an unusual clarity of style with unquestioned authenticity. Their range, too, is unusually great, for besides the many plates on the costumes of the Greeks and Romans, there are representative illustrations of the typical dress of such other civilizations as the Phrygian, Egyptian, Parthian, Etruscan, and Persian.In addition, scores of engravings are devoted to such now-forgotten objects as ancient musical instruments (the lyre, double flute, pipes of Pan, etc.), Bacchanalian implements, articles of furniture, women's trinkets and jewelry, sarcophagi, altars, and other adjuncts to ancient life.Such c... [Read More]

Antike und frühmittelalterliche Textilien sind nur in geringer Zahl überliefert. Eine Ausnahme bilden Textilien aus Ägypten. Ihre Entstehung fällt in eine Zeit, die von der Ausbreitung des Christentums gekennzeichnet ist. Wie dabei christliches Gedankengut in paganem Ambiente assimiliert wurde, lässt sich am Beispiel der Kleiderdekorationen zeigen. Sie bezeugen nicht nur das Weiterleben alter Vorlagen, sondern geben insgesamt einen Einblick in spätantikes Denken.

Scrupulously researched book by noted authority traces the development of European clothing styles from prehistory to the Norman Conquest in A.D. 1066. Over 160 illustrations, including 17 full-color plates, display draped robes of classical Greece, the jewel-encrusted apparel of a 10th-century Byzantine emperor, garments of peasants, as well as footwear, hairstyles, headdresses, and jewelry.

In ancient Egypt, wrapping sacred objects, including mummified bodies, in layers of cloth was a ritual that lay at the core of Egyptian society. Yet in the modern world, attention has focused instead on unwrapping all the careful arrangements of linen textiles the Egyptians had put in place.This book breaks new ground by looking at the significance of textile wrappings in ancient Egypt, and at the way their unwrapping has shaped the way we think about the Egyptian past. Wrapping mummified bodies and divine statues in linen reflected the cultural values attached to this textile, with implications for understanding gender, materiality and hierarchy in Egyptian society. Unwrapping mummies and statues similarly reflects the values attached to Egyptian antiquities in the West, where the colonial legacies of archaeology, Egyptology and racial science still influence how Egypt appears in museums and the press.From the tomb of Tutankhamun to the Arab Spring, Unwrapping Ancient Egypt raises critical questions about the deep-seated fascination with this culture – and what that fascination says about our own.

Whether your Halloween night is geared towards tricks or treats, this product will make your holiday celebration extra fun. It is made from 100 percent polyester and is great for costume parties throughout the year as well.Due to seasonal volume, please review shipping/delivery date options

Robe with attached cowl hoodMaskWaist tieScythe not included

Robe with attached cowl hoodMaskWaist tieScythe not included