Gloria Seaman Allen applies her formidable research and narrative skills to the fledgling District of Columbia, bringing to light heretofore unknown details and full-color images for nearly 130 samplers and pictorial embroideries stitched in the first years of the nation's capital. Columbia's Daughters examines the political, economic, and social dynamics of Alexandria, Georgetown and Washington City, the three urban centers that merged to create the District of Columbia as the nation entered the nineteenth century. Here are the lives and little-known schools of needlework teachers and students who witnessed the emergence of a new federal identity in a turbulent time―and left embroidered records of what they saw.

Baskets made by the people of the mid-Columbia River are among the finest examples of Indian textile art in North America, and they are included in the collections of most major museums. The traditional designs and techniques of construction reveal a great artistic heritage that links modern basketmakers to their ancestors. Yet baskets are also everyday objects of a utilitarian nature that reveal much about mid-Columbia culture---a flat twined bag has greatest value when it is plump with dried roots, a coiled basket when full of huckleberries.In Columbia River Basketry, Mary Schlick writes about the weavers who at the time of European contact lived along the Columbia River from just above its confluence with the Yakima River westward to the vicinity of present-day Portland, Oregon, and Indian groups living along the river. She presents the baskets in the context of the lives of the people who created and used them. She also writes about the descendants of the early basket weavers, to whom basketry skills have been passed and from whom she herself learned to make baskets. Schlick blends mythology, personal reminiscences, materials, and basketry techniques.Written with deep understan... [Read More]

This beautiful, entertaining book features hundreds of full-color photos of Barbie doll fashions, detailed descriptions, and current values. A stylebook of fashions complete with all accessories. 2006 values.

Showcases the artist's designs for couture clothing and discusses his rise to design director at Christian Dior

The 1950s were the golden years of haute couture, captured by iconic images of glamorous models wearing dramatic clothes. Yet the real women who wore these clothes adapted them to suit their own tastes, altered them to extend their life, and often could not bear to part with them long after the dresses had outlived their use. This gorgeously illustrated book demonstrates why so many of these designs are still in existence and why we are fascinated by them fifty years later.Couture and Commerce investigates how and why postwar couture fashion was important in its own day. The Paris couture houses survived due to the enthusiasm of the North American fashion press and commercial buyers. Alexandra Palmer traces the European haute couture trade with North America by following actual surviving couture dresses from the design house sketch, through the model used in New York fashion shows and as a template for copies and knock-offs, and finally to the consumer.Couture and Commerce is a remarkable mixture of accessible text, color photographs of the original garments, design house sketches and photographs, retailers’ advertisements, and society page images. Weaving together analysis of th... [Read More]

This is the black and white paperback edition of Pattern, published in hardback in 2016 by Saltyard Books.If you would like the original colour illustrated version of Pattern it is available in hardback ISBN 9781444734942. Creativity, collaboration, inspirationEmma Bridgewater's patterns are as quintessentially British as marmalade on toast - and they have made her distinctive homewares best sellers across the world.Her inspiration is often deeply personal - a plate of her mother's, a favourite children's book - and as she tells the stories of each pattern's creation, she reveals the intricate processes of research and collaboration behind the familiar designs she has stamped on our kitchenware - and our hearts - for the past thirty years.Both an entrancing trip down memory lane and a behind-the-scenes look at a thriving creative business, Emma Bridgewater's PATTERN is essential reading for anyone who has ever turned over their mug after draining their tea and wondered about the human story behind that proud declaration: Made in Stoke-on-Trent, England...

Betty Issenman examines all aspects of winter and summer Inuit clothing, going back 4000 years, with particular emphasis on northern Canadian Inuit. She also describes the kinds of material and tools used to make the clothing. The focus is on on Inuit clothing as protection, identity, and culture bearer, roles it has played for thousands of years. No other book brings together contemporary and historical material from the circumpolar worlds with original research. Sinews of Survival is a fascinating study of Inuit clothing, past and present. It includes over 200 illustrations of various kinds of clothing. The voices of the Inuit are heard throughout the text in quotations from consultations and the literature. By describing one component of Inuit society, the author opens a pathway to understanding the culture as a whole.

Michel Pastoureau's lively study of stripes offers a unique and engaging perspective on the evolution of fashion, taste, and visual codes in Western culture. The Devil's Cloth begins with a medieval scandal. When the first Carmelites arrived in France from the Holy Land, the religious order required its members to wear striped habits, prompting turmoil and denunciations in the West that lasted fifty years until the order was forced to accept a quiet, solid color. The medieval eye found any surface in which a background could not be distinguished from a foreground disturbing. Thus, striped clothing was relegated to those on the margins or outside the social order―jugglers and prostitutes, for example―and in medieval paintings the devil himself is often depicted wearing stripes. The West has long continued to dress its slaves and servants, its crewmen and convicts in stripes.But in the last two centuries, stripes have also taken on new, positive meanings, connoting freedom, youth, playfulness, and pleasure. Witness the revolutionary stripes on the French and United States flags. In a wide-ranging discussion that touches on zebras, awnings, and pajamas, augmented by illustrative p... [Read More]

African fashion is as diverse and dynamic as the continent and the people who live there. While experts have long recognized the importance of clothing as a marker of ethnic identity, life stages, political affiliation, and social class, they have only just begun to discover African fashion. Contemporary African Fashion puts Africa at the intersection of world cultures and globalized identities, displaying the powerful creative force and impact of newly emerging styles. Richly illustrated with color photographs, this book showcases haute couture for the African continent. The visual impact of fashion created and worn today in Africa comes to life here, beautifully and brilliantly.

Specifications:Type: Princess Girl Party CostumeMaterial: Gauze Wire+Nylon+Plush+GlitterColor: Yellow, Purple, Rose, Blue, Red, Pink  Size: One Size (Kids)Butterfly wing :47 x 35cm/18.5''x13.7" (approx)Wand :35cm /13.7'' (approx)Skirt:  Length 37cm/14.6'', Waist is elasticHeadband: 12cm x 10cm/4.7" x 3.94"Butterfly wand and Headband have matching Wing's color.Package Include:1 x Butterfly wing1 x Wand1 x Headband1 x Tutu SkirtNote:1. It is manual measurement, there may be 2-3cm error.2. And item color displayed in photos may be showing slightly different on your computer monitor since monitors are not calibrated same. hope

This So Sydney brand teen, adult, plus or kid size tutu is perfect for your next 5K run or costume party. 6 full and fluffy layers of 100% polyester tulle in 2-3 colors. Hand wash, lay flat to dry. Satin covered elastic waist. M WAIST: 16" unstretched to 30" fully stretched. M LENGTH: 11-12". Best for children 3-8+ depending on child's size. L WAIST: 20" unstretched to 36" fully stretched. L LENGTH: 15". Best for larger kids, teens, and adults to size 10. XL WAIST: 28" unstretched to 44" fully stretched. XL LENGTH: 15". Best for adults size 12+. PLEASE!