Medieval European culture was obsessed with clothing. In Fashioning Change: The Trope of Clothing in High-and Late-Medieval England, Andrea Denny-Brown explores the central impact of clothing in medieval ideas about impermanence and the ethical stakes of human transience. Studies of dress frequently contend with a prevailing cultural belief that bodily adornment speaks to interests that are frivolous, superficial, and cursory. Taking up the vexed topic of clothing’s inherent changeability, Denny-Brown uncovers an important new genealogy of clothing as a representational device, one imbued with a surprising philosophical pedigree and a long history of analytical weightiness.Considering writers as diverse as Boethius, Alain de Lille, William Durand, Chaucer, and Lydgate, among others, Denny-Brown tracks the development of a literary and cultural trope that begins in the sixth century and finds its highest expression in the vernacular poetry of fifteenth-century England. Among the topics covered are Boethian discourses on the care of the self, the changing garments of Lady Fortune, novelty in ecclesiastical fashions, the sartorial legacy of Chaucer’s Griselda, and the emergence of... [Read More]

Description: This engraved print originates from a very rare unknown Dutch work. The plates are similar to the plates in the famous German work: 'Bilderbuch fur Kinder.' (Transl.: picture book for children.), by F.J. Bertuch, published 1790-1830 in Weimar. This could be Dutch edition of this work (no references found), or a work that used the Bertuch plates. Plate titles are in Dutch. Age c. 1800.Artists and Engravers: Friedrich Johann Justin Bertuch (1747-1822 German) was a German publisher and patron of the arts. Most plates engraved by Lehman fec.

Religious and academic dress in the middle ages functioned as a metaphorical signifier of spiritual and intellectual standards, implied a given social status, signalled the rejection or possession of garment wealth, and, in the details, suggested the wearer's spiritual state. This book presents the first sustained analysis of the characterizing dress worn by Chaucer's pilgrims who are in holy orders and/or affiliated with universities; the author uses approaches from a variety of disciplines (received criticism of late medieval literature, developments in political, economic and social history, the visual arts, and material culture) in order to present the complex ideas and rhetoric the pilgrims' dress expresses. She also makes the religious, intellectual, and material culture of Chaucer's day accessible to modern audiences through the reconstruction of the significance of fabrics, dyes, accessories, garments, and assembled costumes, and an explanation of technical details and specialist vocabularies for cloth-making, clothing, accessories, and their images in the visual arts.

Dress is the most fleeting of the arts, subject to the arbitrary dictates of fashion. It is also, however, the art that relates most closely to our lives, both as a reflection of our self-image and, in the words of Louis XIV, as 'the mirror of history'. This handsome book examines English and French fashion from 1750 to 1820 by studying the art of the period, and it shows how changes in dress reflected social, political and cultural developments in the two countries.Closely analysing a wide range of visual sources - including portraits and history painting, sculpture, drawings, caricatures and fashion plates, by such artists as Reynolds, Gainsborough, Lawrence, David and Ingres - Aileen Ribeiro describes the development of fashion during this period.

Reproductions Decorative Painting Not Stretched and Not Framed ,Goya y Lucientes Francisco de Carlos IV on Horseback 1800 , is the best gift for your relatives, or girl friend and boy friend. That is also for Bar, Basement, Bathroom, Bedroom, Dining Room, Foyer, Game Room, Garage, Gym, Hallway, Home Office, Home Theater, Kids Room, Kitchen, Laundry Room, Living Room, Nursery, Powder Room, Study decor and Art Decoration

Relatively few garments survive from before the eighteenth century, and the history of costume in the preceding centuries must therefore rely to a great extent on literary and visual evidence. This book, the first of its kind, examines Stuart England through the mirror of dress. It argues that both artistic and literary sources can be read and decoded for important information on dress and the way it was perceived in a period of immense political, social, and cultural change.Focusing on the rich visual culture of the seventeenth century, including portraits, engravings, fashion plates, and sculpture, and on literary sources—poetry, drama, essays, sermons—the distinguished historian of dress Aileen Ribeiro creates a fascinating account of Stuart dress and how it both reflected and influenced society. Supported by a wealth of illustrative images, she explores such varied themes as court costumes, the masque, the ways in which political and religious ideologies could be expressed in dress, and the importance of London as a fashion center. This beautiful book is an indispensable and authoritative account of what people wore and how it related to Stuart England’s cultural climate.... [Read More]

The use Chaucer made of costume rhetoric, and its function within his body of works, are examined here for the first time. The study explores Chaucer's knowledge of the conventional imagery of medieval literary genres, especially medieval romances and fabliaux, and his manipulation of rhetorical conventions through variations and omissions. In particular, it addresses Chaucer's habit of playing upon his audience's expectations, derived from their knowledge of the literary genres involved - and why he omits lengthy passages of costume rhetoric in his romances, but includes them in some of his comedic works, It also discusses the numerous minor facets of costume rhetoric employed in decorating his texts. Chaucer and Array responds to the questions posed by medievalists concerning Chaucer's characteristic pattern of apportioning descriptive detail in his characterization by costume. It also examines his depiction of clothing and textiles representing contemporary material culture while focusing attention on the literary meaning of clothing and fabrics as well as on their historic, economic and religious signification. Laura F. Hodges blends her interests in medieval literature and the... [Read More]

Long before "heroin chic" made headlines, the emaciated figure and feverish flush associated with tuberculosis victims were admired as beautiful. As the disease spread throughout Europe in the late 18th and early 19th centuries, it became commonplace to regard tuberculosis as a positive affliction, one to be emulated in beauty practices and dress. While medical writers believed that the fashionable way of life of many women actually rendered them susceptible to the disease, Carolyn A. Day investigates the deliberate and widespread flouting of admonitions against these fashion practices in the pursuit of beauty.

Students and enthusiasts of period costume as well as needleworkers interested in re-creating authentic costumes of America's post-Revolutionary era will welcome this comprehensive, scholarly treatment. It not only discusses and describes the clothing worn in rural America (primarily in New England) between 1783 and 1800, it is one of the few books to include scaled drawings of patterns and full instructions for making most of the garments.The attire includes the clothing both of settlers and of the Abenaki Indians of New England. The Abenaki traditionally wore clothing made of soft tanned deerskin or moosehide, sometimes decorated with dyes or with complex embroidery of dyed porcupine quills and moose hair. By the late eighteenth century, however, the Abenaki had adopted certain of the settlers' garments, such as the men's shirt and the women's shift. Similarly, the settlers had begun to wear moccasins, leggings, and other Indian garments when it made sense in their daily lives.The heart of this book is devoted to full descriptions and scaled patterns for specific garments. For women: shift, petticoat and skirt, gowns, neckerchief, apron, headgear, and more. Men's clothes include ... [Read More]

The electrical fences and advanced technology of Jurassic World didn't stop the dinosaurs from escaping and terrorizing the visitors, just like nothing is going to stop you from having the best Halloween yet when you dress in this one-piece inflatable T-Rex suit. A built-in fan will keep you cool all night, so whether you're trick or treating through Jurassic World or you're going to a fun party with your friends, you'll be comfortable! You can also don this costume to the premiere of the upcoming film; you'll look so great, people will forget all about the movie and all eyes

This Paw Patrol Chase Child Halloween Costume can add fun to the holiday celebration with a favorite from the hit television show. It is made with 100 percent polyester, providing a softness that kids can enjoy all day long. The Paw Patrol Halloween costumes include a jumpsuit, headpiece and backpack, so children can have a complete style for party fun. It comes in a small size (4-6) offering an optimal fit for a little

Detail size chartMeasure dimensions before buyingsize110:Length 68cm,Bust 26*2cm ,waist 24*2cm,for age 3Tsize120:Length 73cm,Bust 28*2cm ,waist 25*2cm,for age 4-5Tsize130:Length 76cm,Bust 30*2cm ,waist 28*2cm,for age 5-6Tsize140:Length 84cm,Bust 32*2cm ,waist 29*2cm,for age