Organized into four principal sections with a scope ranging from the ancient world to the nineteenth century, this illustrated volume offers a detailed accounting of men's and women's clothing, both fashions and formal wear as well as everyday garb

Cultural Threads considers contemporary artists and designers who work at the intersection of cultures and use textiles as their vehicle. Ideas about belonging to multiple cultures, which can result in a sense of connection to everywhere and nowhere, are more pertinent to society today than ever. So too are the layers of history – often overlooked – behind the objects that make up our material world. The roots of postcolonial theory lie in literature and have, in the past, been communicated through dense academic jargon. Cultural Threads breaks with what can read as impenetrable rhetoric to show the rich visual diversity of craft and art that engages with multiple cultural influences. Many of these objects exist in an in-between world of their own, not wholly embraced by the establishments of art, nor functional objects in the conventional sense of craft.Cultural Threads is an exploration of contemporary textiles and their relationship with postcolonial culture. However, the postcolonial thinking examined here shares with craft an interest in the lived, rather than the purely theoretical, giving a very human account of the interactions in between craft and culture.

Michel Pastoureau's lively study of stripes offers a unique and engaging perspective on the evolution of fashion, taste, and visual codes in Western culture. The Devil's Cloth begins with a medieval scandal. When the first Carmelites arrived in France from the Holy Land, the religious order required its members to wear striped habits, prompting turmoil and denunciations in the West that lasted fifty years until the order was forced to accept a quiet, solid color. The medieval eye found any surface in which a background could not be distinguished from a foreground disturbing. Thus, striped clothing was relegated to those on the margins or outside the social order―jugglers and prostitutes, for example―and in medieval paintings the devil himself is often depicted wearing stripes. The West has long continued to dress its slaves and servants, its crewmen and convicts in stripes.But in the last two centuries, stripes have also taken on new, positive meanings, connoting freedom, youth, playfulness, and pleasure. Witness the revolutionary stripes on the French and United States flags. In a wide-ranging discussion that touches on zebras, awnings, and pajamas, augmented by illustrative p... [Read More]

Traces the history of the popular denim garment, from the humble original working pants first mass produced by Levi Strauss for California miners in the 1870s to the donning of today's premium designs, describing how jeans have been derided throughout the past century and a half and popularized by the fashion and film industries. 30,000 first printing.

What does it mean to people around the world to put on costumes to celebrate their heritage, reenact historic events, assume a role on stage, or participate in Halloween or Carnival? Self-consciously set apart from everyday dress, costume marks the divide between ordinary and extraordinary settings and enables the wearer to project a different self or special identity. Pravina Shukla offers richly detailed case studies from the United States, Brazil, and Sweden to show how individuals use costumes for social communication and to express facets of their personalities.

Ottoman Dress and Design in the West is a richly illustrated exploration of the relationship between West and Near East through the visual culture of dress. Charlotte Jirousek examines the history of dress and fashion in the broader context of western relationships with the Mediterranean world from the dawn of Islam through the end of the twentieth century. The significance of dress is made apparent by the author's careful attention to its political, economic, and cultural context. The reader comes to understand that dress reflects not simply the self and one's relation to community but also that community's relation to a wider world through trade, colonization, religion, and technology. The chapters provide broad historical background on Ottoman influence and European exoticization of that influence, while the captions and illustrations provide detailed studies of illuminations, paintings, and sculptures to show how these influences were absorbed into everyday living. Through the medium of dress, Jirousek details a continually shifting Ottoman frontier that is closely tied to European and American history. In doing so, she explores and celebrates an essential source of influence t... [Read More]

Shortlisted for the 2017 Indiana Center for Eighteenth-Century Studies Kenshur PrizeHistorical Style connects the birth of eighteenth-century British consumer society to the rise of historical self-consciousness. Prior to the eighteenth century, British style was slow to change and followed the cultural and economic imperatives of monarchical regimes. By the 1750s, however, a growing fashion press extolled, in writing and illustration, the new phenomenon of periodized fashion trends. As fashion fads came in and out of style, and as fashion texts circulated and obsolesced, Britons were forced to confront the material persistence of out-of-date fashions. Timothy Campbell argues that these fashion texts and objects shaped British perception of time and history by producing new curiosity about the very recent past, as well as a new self-consciousness about the means by which the past could be understood.In a panoptic sweep, Historical Style brings together art history, philosophy, and literary history to portray an era increasingly aware of itself. Burgeoning consumer society, Campbell contends, highlighted the distinction between the past and the present, created an expectation of con... [Read More]

The 20th Century saw the effective end of haute couture, the rise of prêt à porter and, finally, the triumph of street fashion. Bonnie English unravels the complexities and contradictions behind these changes to chart the history of modern fashion. What caused the demise of haute couture in the 20th century? What does the "democratisation" of fashion actually mean? Which key designers bridged the gap between "couture," with its associations of elite class and taste, and "street style," a product of tribalism and of popular culture and protest? If fashion imitates art and art imitates life, does life imitate fashion--do we wear the clothes or do the clothes wear us? Setting fashion within its social, cultural and artistic context, this book presents an engaging history of the interplay between commerce and culture, technology and aesthetics, popular culture and pastiche, and fashion and anti-fashion.

In this beautifully written novel of historical fiction, bestselling author Susan Holloway Scott tells the story of Alexander Hamilton’s wife, Eliza—a fascinating, strong-willed heroine in her own right and a key figure in one of the most gripping periods in American history.   “Love is not easy with a man chosen by Fate for greatness . . .”   As the daughter of a respected general, Elizabeth Schuyler is accustomed to socializing with dignitaries and soldiers. But no visitor to her parents’ home has affected her so strongly as Alexander Hamilton, a charismatic, ambitious aide to George Washington. They marry quickly, and despite the tumult of the American Revolution, Eliza is confident in her brilliant husband and in her role as his helpmate. But it is in the aftermath of war, as Hamilton becomes one of the country’s most important figures, that she truly comes into her own.     In the new capital, Eliza becomes an adored member of society, respected for her fierce devotion to Hamilton as well as her grace. Behind closed doors, she astutely manages their expanding household, and assists her husband with his political writings. Yet some challenges are impossible to p... [Read More]

Beads have been used since antiquity, not only to dress the body, but as measures of value in economic and ritual exchanges. Their popularity has never waned, and in recent years their trade has enjoyed a world-wide revival. Beads have deep and multiple meanings: in many cultures, together with garments, they reflect age, gender and social status, and are a vehicle through which people store, exchange and transmit wealth.This absorbing book analyzes techniques and gendered aspects of the making of beads, as well as their role in trade and body adornment, in a wide range of societies, from the ancient Mediterranean to Renaissance Venice and present-day Southern Africa and West Africa, where they have become a symbol of cultural survival and identity. Anyone interested in material culture, anthropology, art history, and gender studies will find that this book provides fascinating insights into attitudes toward the body and its dress as well as systems of social classification.

Includes: Robe, headpiece, cuffs, belt, and neckpiece.

Includes shirt, belt with drape, leg wraps, arm wraps, collar, mask, headdress. Does not include Egyptian staff, gloves or

Shirt with attached vest and jabotKnickersShoe bucklesHat