These Caps Feature An Adjustable Design And Are Unstructured So That You Can Enjoy A Perfect Fit That Will Stay Comfortable No Matter Where You Are.This is a great gift for your loved ones, family members, friends and colleagues who will like it.

These Caps Feature An Adjustable Design And Are Unstructured So That You Can Enjoy A Perfect Fit That Will Stay Comfortable No Matter Where You Are.This is a great gift for your loved ones, family members, friends and colleagues who will like it.

These Caps Feature An Adjustable Design And Are Unstructured So That You Can Enjoy A Perfect Fit That Will Stay Comfortable No Matter Where You Are.This is a great gift for your loved ones, family members, friends and colleagues who will like it.

These Caps Feature An Adjustable Design And Are Unstructured So That You Can Enjoy A Perfect Fit That Will Stay Comfortable No Matter Where You Are.This is a great gift for your loved ones, family members, friends and colleagues who will like it.

In this fast-moving, candid, conversational, and entertaining memoir, Harold Prince, the most honored director/producer in the history of the American theater looks back over his seventy-year (and counting!) career.In 1974, Prince released his first book, Contradictions: Notes on Twenty-Six Years in the Theatre. Although Contradictions has since attained cult status among producers, directors, and actors alike, Prince, in hindsight, believes he wasn't ready to publish such a tome at that point in his career (in fact, doing so was an act of “insane arrogance”). Although he doesn't regret that effort, he is at last prepared to conclude it, to “see where I was right in my assessments and where I was wrong.” In Sense of Occasion, Prince returns to this seminal text, invigorating it with fresh insights cultivated through four decades of additional practice.Sense of Occasion gives an insider's recollection of the making of such landmark musicals as West Side Story, Fiddler on the Roof, Cabaret, Company, Follies, Sweeney Todd, Evita, and Phantom of the Opera, with Prince's perceptive comments about his mentor George Abbott and his many celebrated collaborators, including Leonard B... [Read More]

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I'm currently listing a large number of playbills from out-of-town tryouts prior to the Broadway runs. Many are from early performances when revisions were common and include song titles that were cut before opening in New York ....... This is a rare October 1st, 1968 "Stage" program (playbill) from the three-week, out-of-town tryout of the BRUCE J. FRIEDMAN and RICHARD ADLER musical disappointment "A MOTHER'S KISSES" at the Morris Mechanic Theatre in Baltimore, Maryland. (The production opened September 23rd, 1968 at the Shubert Theatre in New Haven, Connecticut and closed October 19th, 1968 in Baltimore, failing to arrive at New York's 46th Street Theatre for the scheduled October 29th, 1968 opening.) ..... The musical starred BEATRICE ARTHUR in her first starring role and featured BILL CALLAWAY, CARL BALLANTINE, RUDY BOND, ALAN NORTH, NED WERTIMER, RENEE ROY, KATE WILKINSON, RUTH JAROSLOW, DANIEL GOLDMAN, ARTHUR ANDERSON ..... CREDITS: Book by BRUCE J. FRIEDMAN; Music and Lyrics by RICHARD ADLER ("The Pajama Game", "Damn Yankees", "Kwamina", "Music Is"); Sets designed by WILLIAM and JEAN ECKART; Costumes designed by ALVIN COLT; Choreographed by ONNA WHITE; Directed by GENE SAKS;... [Read More]