All About Eve. Funny Face. Sunset Blvd. Rear Window. Sabrina. A Place in the Sun. The Ten Commandments. Scores of iconic films of the last century had one thing in common: costume designer Edith Head (1897–1981). She racked up an unprecedented 35 Oscar nods and 400 film credits over the course of a fifty-year career.Never before has the account of Hollywood's most influential designer been so thoroughly revealed—because never before have the Edith Head Archives of the Academy of Motion Picture Arts and Sciences been tapped. This unprecedented access allows this book to be a one-of-a-kind survey, bringing together a spectacular collection of rare and never-before-seen sketches, costume test shots, behind-the- scenes photos, and ephemera.

Celebrating a quarter-century since its initial release, "Edith Head's Hollywood" is reissued in trade paper, complete with an expanded photo section featuring the best work of the world's most famous costume designer. As the only authorized posthumous autobiography, Edith Head's Hollywood, the twenty-fifth anniversary edition tells her remarkable story the definitive book by and about the woman whose name is synonymous with Hollywood costume design. Through six decades of Hollywood fashion, Edith Head dressed the screen's best Dietrich, Lombard, the Hepburns (Audrey and Kate), Hope and Crosby, Grace Kelly and Elvis Presley, to name a few. She won an unprecedented eight Oscars for her spectacular creations. As Bette Davis says in her Foreword, "You'll read her story the way she would have told it and, indeed, did tell it . . ."

Marilyn Monroe made history by standing over a subway grating in a white pleated halter dress designed by William Travilla. Hubert de Givenchy immortalized the Little Black Dress with a single opening scene in Breakfast at Tiffany's. A red nylon jacket signaled to audiences that James Dean was a Rebel Without a Cause. For more than a century, costume designers have left indelible impressions on moviegoers' minds. Yet until now, so little has been known about the designers themselves and their work to complement and enrich stories through fashion. Creating the Illusion presents the history of fashion on film, showcasing not only classic moments from film favorites, but a host of untold stories about the creative talent working behind the scenes to dress the stars from the silent era to the present day. Among the book's sixty-five designer profiles are Clare West, Howard Greer, Adrian, Walter Plunkett, Travis Banton, Irene, Edith Head, Cecil Beaton, Bob Mackie, and Colleen Atwood. The designers' stories are set against the backdrop of Hollywood: how they collaborated with great movie stars and filmmakers; how they maneuvered within the studio system; and how they came to design clot... [Read More]

Los Angeles, 1937. Lillian Frost has traded dreams of stardom for security as a department store salesgirl . . . until she discovers she's a suspect in the murder of her former roommate, Ruby Carroll. Party girl Ruby died wearing a gown she stole from the wardrobe department at Paramount Pictures, domain of Edith Head.Edith has yet to win the first of her eight Academy Awards; right now she's barely hanging on to her job, and a scandal is the last thing she needs. To clear Lillian's name and save Edith's career, the two women join forces. Unraveling the mystery pits them against a Hungarian princess on the lam, a hotshot director on the make, and a private investigator who's not on the level. All they have going for them are dogged determination, assists from the likes of Bob Hope and Barbara Stanwyck, and a killer sense of style. In show business, that just might be enough.The first in a series of riveting behind-the-scenes mysteries, Renee Patrick's Design for Dying is a delightful romp through Hollywood's Golden Age.

sansone , giudice d'israele, si innamora perdutamente della filistea semadar e decide di sposarla. durante la festa nuziale scoppia un tumulto e la promessa sposa viene uccisa. sansone giura vendetta, abbandona la festa e fa perdere le sue tracce. poco dopo la morte di semadar, il saran di gaza, impone pesanti tasse sui daniti, sperando che essi tradiscano sansone e glielo consegnino. quando il danita viene catturato, la notizia giunge al saran e a dalila, la sorella di semadar, entrambi soddisfatti della cattura dell'uomo. sansone e' preso da ahtur, capo delle truppe dei filistei, un tempo innamorato di semadar e rivale di sansone. sulla strada di gaza, ahtur provoca sansone, il quale prega dio, chiedendogli la forza contro i filistei. il danita riesce a liberarsi e comincia lo scontro contro i nemici; sansone combatte corpo a corpo, rovescia il carro da guerra di ahtur e, presa una mascella d'asino, inizia ad uccidere i filistei con la sua forza.

A Seattle Times Best of 2017 Book!Los Angeles, 1938. Former aspiring actress Lillian Frost is adjusting to a new life of boldfaced names as social secretary to a movie-mad millionaire. Costume designer Edith Head is running Paramount Pictures’ wardrobe department, but only until a suitable replacement comes along. The two friends again become partners thanks to an international scandal, a real-life incident in which the war clouds gathering over Europe cast a shadow on Hollywood.Lillian attended the Manhattan dinner party at which well-heeled guests insulted Adolf Hitler within earshot of a maid with Nazi sympathies. Now, secrets the maid vengefully spilled have all New York society running for cover – and two Paramount stars, Jack Benny and George Burns, facing smuggling charges.Edith also seeks Lillian’s help on a related matter. The émigré pianist in Marlene Dietrich’s budding nightclub act has vanished. Lillian reluctantly agrees to look for him. When Lillian finds him dead, Dietrich blames agents of the Reich. As Lillian and Edith unravel intrigue extending from Paramount’s Bronson Gate to FDR’s Oval Office, only one thing is certain: they’ll do it in style.The... [Read More]

This handsome collection pays tribute to 7 great Hollywood designers including Travis Banton, Jean Louis, Irene, and Orry-Kelly. 2 female figures — with separate attachable heads for each star — model exquisite gowns created for Leigh (Gone with the Wind), Turner (Ziegfeld Girl), Dietrich (Shanghai Express), others. 2 dolls and 30 full-color costumes.

From the 1920s into the 1980s, Edith Head designed costumes for Hollywood's biggest stars as well as legions of supporting players and extras. The diminutive doyenne of screen fashion received 35 Oscar nominations, winning eight times — more than anyone else in Academy Award® history. This tribute features two dolls and 29 of the designer's creations, including outfits from Sunset Boulevard, All About Eve, Rear Window, The Sting, and many other films.

Edith Head is probably the most iconic of all Hollywood costume designers. Beginning in the early 1930s until her retirement in 1977, Edith Head costumed the stars of over 500 films. With 35 Academy Award nominations for Best Costume Design, she won 8—the closest to come to her record is Irene Sharaff, who garnered 15 nominations and 5 wins. Edith Head truly surpassed all of her competition. Audrey Hepburn, Grace Kelly, Natalie Wood, Lucille Ball, Barbara Stanwyck, Mae West, Elizabeth Taylor, Doris Day, and Katherine Hepburn are just a few of the female stars Head dressed, both in character and as themselves. And winning her last Oscar for The Sting in 1974 meant that her designs for male stars, explicitly Paul Newman and Robert Redford, were superb as well. Her style acumen stretched from the exotic, historical costumes she designed for Samson and Delilah and The Ten Commandments to the classic, timeless costumes she designed for Roman Holiday, To Catch a Thief, and Sabrina. This book is a sampling of Edith Head’s most famous work.

Your little one can become the classic toy this year in the Mr. Potato Head Deluxe Adult Costume. The Mr. Potato Head Deluxe Adult Costume includes detachable female and male parts, making this costume versatile for girl and boy toddlers on this delightful

Become your favorite movie character in seconds with this costume.

The fun thing about a Potato Head toy was that you could make it be anything you wanted. You had a choice of different eyes, noses, mouths, and ears. You could give it a hat, or not. Ditto for facial hair. Or any other kind of hair. Of course, after a while the various pieces started getting lost, and then you didn't have as many options any more. But you can have those options again, now, with this Mr / Mrs Potato Head Plus Size