From headdresses to sandals, from warrior's armor to priestess's robes, the authentic costumes of people from all walks of life in the Roman and Greek civilizations are here pictured comprehensively and clearly. Three hundred finely drawn, detailed engravings (containing over 700 illustrations) show just what was worn by the poets, philosophers, priests and priestesses, peasants, Bacchanalians, emperors, generals, Amazons, and virgins of a bygone age.Carefully copied from ancient vases and statuary by Thomas Hope (1770–1831), a British collector and designer, these engravings combine an unusual clarity of style with unquestioned authenticity. Their range, too, is unusually great, for besides the many plates on the costumes of the Greeks and Romans, there are representative illustrations of the typical dress of such other civilizations as the Phrygian, Egyptian, Parthian, Etruscan, and Persian.In addition, scores of engravings are devoted to such now-forgotten objects as ancient musical instruments (the lyre, double flute, pipes of Pan, etc.), Bacchanalian implements, articles of furniture, women's trinkets and jewelry, sarcophagi, altars, and other adjuncts to ancient life.Such c... [Read More]

The classical lines of Greek and Roman fashions were as elegant as the art and architecture created by the artisans of these ancient Mediterranean civilizations. For his popular coloring-book series on the history of fashion, noted paper-doll illustrator Tom Tierney has carefully recreated a rich assortment of Greek and Roman clothing styles — from garments worn by the nobility of Crete (2000–200 B.C.) to the apparel of a senator and his family in Rome’s late imperial period (A.D. 300–487).Also included are detailed, accurate portraits of Greek peasants in traditional clothing (1500–1000 B.C.), a Phrygian Amazon with shield and battle ax (ca. 1200–900 B.C.), Roman workers in simple tunics (ca. 750–300 B.C.), a Greek banquet guest and a dancing girl (ca. 500–400 B.C.), Roman gladiators wearing metal shoulder plates and chain mail (300 B.C.–A.D. 250), a Roman bride in a draped robe and veil (25 B.C.–A.D. 300 ), as well as Grecian and Roman hairstyles, headgear, footwear, and much more. Each plate is accompanied by fact-filled captions.

This scrupulously researched and abundantly illustrated book includes 315 drawings based on renderings by artists of the period to achieve utmost accuracy and authenticity.Included are elaborate examples of Aegean costume, Doric and Ionic styles of dress for women, Greek and Roman armor, graceful and intricately arranged Roman togas, the tunica — roomy, wide-sleeved apparel; and the pallium, a cloak-like garment. Ornate vestments of the Eastern Orthodox Church and Byzantine costumes are carefully described and portrayed, as are styles of hairdressing, jewelry, and other decorative elements.An excellent reference for the history classroom, the volume also includes instructions and flat patterns showing the cut of sample garments, making it easy for costume designers to reproduce period apparel. This book will be valuable as well to costume historians and art students interested in the development of representative art.

Wearing the Cloak contains nine stimulating chapters on Roman military textiles and equipment that take textile research to a new level. Hear the sounds of the Roman soldiers' clacking belts and get a view on their purchase orders with Egyptian weavers. Could armor be built of linen? Who had access to what kinds of prestigious equipment? And what garments and weapons were deposited in bogs at the edge of the Roman Empire? The authors draw upon multiple sources such as original textual and scriptural evidence, ancient works of art and iconography and archaeological records and finds. The chapters cover - as did the Roman army - a large geographical span: Egypt, the Levant, the Etruscan heartland and Northern Europe. Status, prestige and access are viewed in the light of financial and social capacities and help shed new light on the material realities of a soldier's life in the Roman world.Table of Contents1. Dressed for the occasion: Clothes and context in the Roman Army (Michael Alexander Speidel) 2. Purchase orders of military garments from papyri of Roman Egypt (Kerstin Droß-Krüpe) 3. Clothing supply for the military: a look at the inscriptional evidence (Jinyu Liu) 4. The Roma... [Read More]

James Ferrell has collected Greek and Roman antiquities for many years to satisfy his life-long interest in ancient history. His collection is particularly important for its focus on jewelry, engraved gems and cameos, imperial medallions, and silver plate dating from the end of the Roman Empire and the early Byzantine period (3rd-7th centuries AD). It was at this time that the Roman Empire was gradually overrun by barbarian invaders and shifted its capital eastward, to the newly founded city of Constantinople. This volume publishes over 200 works of art belonging to Ferrell. Much of the material derives from imperial workshops and served as official gifts. The catalogue opens with a small selection of Hellenistic jewelry, including a group composed of a necklace, earrings, and rings most liekly of Ptolemaic origin. The second chapter is composed primarily of late Roman jewelry, gems and cameos, and other objects in precious metal, including necklaces, bracelets, rings, fibulae, and belts, most of which date between the third and fifth centuries AD. The third and fourth chapters are devoted to the jewelry and other objects of the sort found in Gothic tombs of the fifth and sixth cen... [Read More]

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Presents biographical sketches of twenty-five gods and goddesses of Roman mythology, from Apollo to Vesta

The attire of the feudal lords and ladies of old Japan, warriors, priest, courtesans, Edo-period dandies geisha, footmen, farmers— in fact, the whole array of Kabuki's colorful characters-is discussed in fascinating detail in this Japanese Kabuki book.From kimono and armor to undergarments, from wigs to foot gear, from swords to hair garments—no aspect of costume accessories is overlooked. Textiles and textile designs, in all their profusion of weaves, colors, and patterns, are carefully taken note of, and a number of important traditional designs are illustrate. Make-up and headdress varying formats of costume for specific roles, styles of tying the obi—all are expertly described.Of the numerous books in English dealing with the Kabuki theater of Japan, none so far has devoted itself exclusively to costume. Kabuki is compelling bringing about such art forms, yet it is the costumes that create the intrinsic, eye catching spectacle.Praise for Kabuki Costume:"A product of over fourteen years of meticulous study, Shaver's unique and authoritative analysis of the labyrinthine complexities of Kabuki costumery not only provides…a valuable reference work for scholar, but also an apt ... [Read More]

Vanessa Soupault's thesis provides a study of metal dress accessories on Roman male costume in the Black Sea area between the 3rd and 5th centuries AD. Much of the volume comprises an illustrated catalogue of fibulae, buckles, fittings, bracelets, torques and other items from sites on all sides of the Black Sea. The catalogue is preceded by a regional discussion of artefacts and trends, particularly in fibulae types, distribution, iconography and social context of these elaborate objects.

Carefully copied from ancient vases and statuary, these early-19th-century classic line renderings combine unusual clarity of style with unquestioned authenticity. Over 700 illustrations depict all classes and