Beijing Opera Costumes: The Visual Communication of Character and Culture illuminates the links between theatrical attire and social customs and aesthetics of China, covering both the theory and practice of stage dress. Distinguishing attributes include an introduction to the performance style, the delineation of the costume conventions, an analysis of the costumes through their historical precedents and theatrical modifications, and the use of garment shape, color, and embroidery for symbolic effect. Practical information covers dressing the performers and a costume plot, the design and creation of the make-up and hairstyles, and pattern drafts of the major garments. Photographs from live performances, as well as details of embroidery, and close-up photographs of the headdresses thoroughly portray the stunning beauty of this incomparable performance style. Presenting the brilliant colors of the elaborately embroidered silk costumes together with the intricate makeup and glittering headdresses, this volume embodies the elegance of the Beijing opera.

The Costumes of Burlesque: 1866-2018 is the first volume to inclusively document burlesque costume from its birth in the 1860’s through the global burlesque movement in 2018. This lushly illustrated book presents the history and development of this American art form by documenting the origins, influencers, and genuine articles that created its aesthetic. Showcases of legendary performers, including Lydia Thompson, Gypsy Rose Lee, Sally Rand, Bettie Page, Kitten Natividad, and Dita Von Teese, demonstrate costume styles through the years. This guide gives readers a clear view of how burlesque costume looked and why. It teaches collectors, burlesque performers, and fans alike to recognize vintage pieces for what they are and to design their own costumes with inspiration from the originals. By including detailed costume documentation, over 400 images, and interviews with prominent costume designers such as Catherine D’Lish and Garo Sparo, The Costumes of Burlesque brings 150 years of burlesque costume history to life.

The Early Stuart Masque: Dance, Costume, and Music studies the complex impact of movements, costumes, words, scenes, music, and special effects in English illusionistic theatre of the Renaissance. Drawing on a massive amount of documentary evidence relating to English productions as well as spectacle in France, Italy, Germany, and the Ottoman Empire, the book elucidates professional ballet, theatre management, and dramatic performance at the early Stuart court. Individual studies take a fresh look at works by Ben Jonson, Samuel Daniel, Thomas Carew, John Milton, William Davenant, and others, showing how court poets collaborated with tailors, designers, technicians, choreographers, and aristocratic as well as professional performers to create a dazzling event. Based on extensive archival research on the households of Queen Anne and Queen Henrietta Maria, special chapters highlight the artistic and financial control of Stuart queens over their masques and pastorals. Many plates and figures from German, Austrian, French, and English archives illustrate accessibly-written introductions to costume conventions, early dance styles, male and female performers, the dramatic symbolism of col... [Read More]

Music by Richard RodgersLyrics by Oscar Hammerstein IINew book by Douglas Carter BeaneOriginal book by Oscar Hammerstein IIIn March 2013, a new Rodgers and Hammerstein musical opened on Broadway – new to Broadway, but based on a TV musical first written nearly 60 years before, and beloved by audiences all over the world. It was Rodgers + Hammerstein's Cinderella, which very quickly became the belle of the ball of the Broadway season, winning cheers for its fresh take on a timeless classic. Douglas Carter Beane created a new, Tony-nominated book that was hailed for complementing the inspirational themes of Rodgers and Hammerstein with a 21st-century sensibility, giving the musical new characters, surprising plot twists, and revelatory moments that harkened back to the Charles Perrault version of the fairy tale. The score was cheered as well: the familiar songs from the television versions – “In My Own Little Corner ” “Impossible ” “A Lovely Night ” “Do I Love You Because You're Beautiful ” and so on – along with undiscovered gems from the “trunk.” Rodgers + Hammerstein's Cinderella was hailed by the Associated Press as a “charming, witty and relevant take... [Read More]

The most theatrical of arts inspires the most visionary fashion designers to create extraordinary costumes for extraordinary productions: a glorious book for fashionistas and opera fans. Fashion and opera are natural arenas for collaboration. In 2009–2010 alone, Viktor & Rolf, Miuccia Prada, Emanuel Ungaro, and Christian Lacroix made successful sorties as costumers for operas in New York, Baden-Baden, Naples, and Berlin. In this sumptuous new book, leading figures in the world of fashion― Giorgio Armani, Marc Bohan, Christian Lacroix, Karl Lagerfeld, Ottavio and Rosita Missoni, Miuccia Prada, Zandra Rhodes, Emanuel Ungaro, Gianni Versace, and Viktor & Rolf―are profiled, together with illustrations of their costume designs. Helena Matheopoulos’s interviews with many of the designers illuminate the journey that led each to the opera and the challenges of working in a demanding new medium. Costume designs for many well-loved operas―including Don Giovanni, Lucia di Lammermoor, Carmen, Aida, Thai¨s, Agrippina, Cosi` fan tutte, Attila, and The Magic Flute―are featured. The opera houses commissioning the costume designs include La Scala, the Metropolitan Opera, the The´a^tre... [Read More]

This book profiles costume designers who worked on Broadway between the 1915-16 and 1985-86 theatre seasons. The more than 1,000 biographies provide information about the designers' backgrounds and preparation. The profiles are followed by a chronological list of credits. Owen's introduction outlines the emergence of the profession. The text is enhanced by 100 illustrations of costumes by prolific and noteworthy designers of the twentieth century. These sketches, many of which have not been previously published, chronicle the history of costume design. The appendixes cover three major awards that have acknowledged the contributions of costume designers, among others, to the Broadway stage--the Tony, Marharam, and Donaldson awards. Recipients and plays are given in chronological order. The index alphabetically lists each play followed by the designer's name when that information is available.

Gorgeous photos and insightful text introduce the work of today's foremost Noh mask artist, actor, and teacher.Noh master Michishige Udaka (the only living actor to continue to make masks while still performing and teaching), presents 32 of the more than 200 masks he's created, accompanied by revelatory text about the masks and the simple yet nuanced ancient dramatic art of Noh. Best-selling author Ruth Ozeki, who studied Noh theater with Udaka in Japan, has contributed a new Foreword to the paperback edition.

Selected by Choice magazine as an Outstanding Academic TitleWhen Broadway Was the Runway explores the central and largely unacknowledged role of commercial Broadway theater in the birth of modern American fashion and consumer culture. Long before Hollywood's red carpet spectacles, Broadway theater introduced American women to the latest styles. At the beginning of the twentieth century, theater impresarios captured the imagination of their largely female patrons by transforming the stage into a glorious site of consumer spectacle.Theater historian Marlis Schweitzer examines how these impresarios presented the dresses actresses wore onstage, as well as the jewelry and hairstyles they chose, as commodities that were available for purchase in nearby department stores and salons. The Merry Widow Hat, designed for the hit operetta of the same name, sparked an international craze, and the dancer Irene Castle became a fashion celebrity when she anticipated the flapper look of the 1920s by nearly a decade. Not only were the latest styles onstage, but advertisements appeared throughout theaters, in programs, and on the curtains, while magazines such as Vogue vied for the rights to publish t... [Read More]

The Stage and the School prepares students for the ever-changing world of performing arts! Glencoe's classic The Stage and the School provides students and teachers with the tools needed to build key theater arts skills. Students receive instruction in classic training exercises, production techniques, and theater conventions. Skills are developed through lessons that help students draw on their personal experiences and build historical and cultural background knowledge; hands-on exercises that provide students with authentic practical experience in casting, directing, and presenting plays; frequent application activities with options to meet any student ability and interest level; and a flexible five-part organization that allows for customization to fit the unique needs of each class.

Disney Frozen Elsa Musical Light Up Dress (Size 7/8)

Our Deluxe Union Officer Costume is the ideal Civil War Costume.Double breasted jacket with contrasting collar and cuffsTrouser with pocketsSatin sash with fringed endsPlease NoteProps and Hat not

Our stunning Queen Elizabeth gown is truly sensational. Made from high quality materials in the USA this Elizabeth ball gown is meant for extended wearing at conventions or in theatre productions.Richly embroidered taffetaContrasting diamond pin-tuckStanding zipperBack zipperWomen's