All About Eve. Funny Face. Sunset Blvd. Rear Window. Sabrina. A Place in the Sun. The Ten Commandments. Scores of iconic films of the last century had one thing in common: costume designer Edith Head (1897–1981). She racked up an unprecedented 35 Oscar nods and 400 film credits over the course of a fifty-year career.Never before has the account of Hollywood's most influential designer been so thoroughly revealed—because never before have the Edith Head Archives of the Academy of Motion Picture Arts and Sciences been tapped. This unprecedented access allows this book to be a one-of-a-kind survey, bringing together a spectacular collection of rare and never-before-seen sketches, costume test shots, behind-the- scenes photos, and ephemera.

History as revealed and interpreted by Hollywood costume designers for motion pictures

"An attractive and informed guide. It includes an extensively cross-referenced list of films on which leading couturiers worked, a superb collection of stills, and a brief history of costume on the screen." — George L. George, MillimeterThis handsome book, the first comprehensive reference work on costume design in films, is a remarkable tribute to the men and women who "dress" a film. Substantially revised and updated, it not only presents a splendid record of costume designers' contributions to cinema but also those of some of the world's great couturiers.The heart of the book is an illustrated listing, arranged alphabetically by designer, providing biographical and career data (screen credits, major awards and nominations) for every major American, British, and French designer who worked on American and British films between 1909 and 1987. Among the designers are such luminaries as Adrian, Travis Banton, Edith Head, Christian Dior, Orry-Kelly, Givenchy, Jean Louis, Howard Greer, Helen Rose, Norman Hartnell, Irene Sharaff, Walter Plunkett, Charles LeMaire, Tony Walton, and Ann Roth. Their creations are featured in over 170 photographs and design renderings reproduced on high-qu... [Read More]

From the lavish productions of Hollywood's Golden Age through the high-tech blockbusters of today, the most memorable movies all have one thing in common: they rely on the magical transformations rendered by the costume designer. Whether spectacular or subtle, elaborate or barely there, a movie costume must be more than merely a perfect fit. Each costume speaks a language all its own, communicating mood, personality, and setting, and propelling the action of the movie as much as a scripted line or synthetic clap of thunder. More than a few acting careers have been launched on the basis of an unforgettable costume, and many an era defined by the intuition of a costume designer—think curvy Mae West in I'm No Angel (Travis Banton, costume designer), Judy Garland in A Star is Born (Jean Louis and Irene Sharaff, costume designers), Diane Keaton in Annie Hall (Ruth Morley, costume designer), or Harrison Ford as Indiana Jones in Raiders of the Lost Ark (Deborah Nadoolman Landis, costume designer).In Dressed: A Century of Hollywood Costume Design, Academy Award-nominated costume designer Deborah Nadoolman Landis showcases one hundred years of Hollywood's most tantalizing costumes and the... [Read More]

Hollywood costume book

127 full bleed reproductions of photographs, 79 in full color, photographs by Keith Trumbo. Covers six decades of costume production in movies, including costumes once worn by and being worn by stars like Elizabeth Taylor, Marlene Dietrich, Mae West, Shirley Temple, Carole Lombard, Jean Harlowe, Claudette Colbert, Fred Astair, Bette Davis, Vivian Leigh, and many others.

  Featuring the most beloved costume designs from the past 100 years of Hollywood films, Hollywood Costume celebrates, for the very first time, the costume designer’s contribution to the telling of the cinematic story. Published in conjunction with an exhibition launched at the Victoria and Albert Museum in London that the New York Times called “extraordinary,” the book showcases the talents of renowned designers such as Adrian, Edith Head, and Sandy Powell, among many others, whose work spans the silent era to the Golden Age of Hollywood to the present day. Essays by a wide variety of leading scholars, archivists, and private collectors, as well as contributions by contemporary costume designers, actors, and directors, take a close look at the conventions of what is considered “costume” and the role of the designer in creating a film’s characters and helping to shape its narrative. With memorable wardrobe classics from The Tramp, Ben-Hur, Cleopatra, The Wizard of Oz, Gone with the Wind, Pirates of the Caribbean, Ocean’s Eleven, Sherlock Holmes, Avatar, and many more, Hollywood Costume is the ultimate volume for fashionistas and film lovers alike. Praise for Hollywood... [Read More]

Shows hundreds of Hollywood costume designs of the 1930s, examines how costumes were used in films, and discusses the top designers

Bill Travilla became a Hollywood star in his own right, thanks in large part to his premier client, actress Marilyn Monroe. Best known for designing Monroe's costumes in eight films--including Gentlemen Prefer Blondes and How to Marry a Millionaire--Travilla also lit up the silver screen with designs for Tom Mix, Ann Sheridan, Errol Flynn, Joan Crawford, Jane Russell, Paul Newman, and Joanne Woodward, among others. When the golden era of Hollywood ended, Travilla focused on running his own couture-quality business. He also found time to free-lance for television epics such as Evita, The Thorn Birds, and Dallas. One Oscar and several Emmys later, it's easy to recognize the legacy of this outstanding designer. Showcased here are many of Travilla's original sketches for the stars, along with fascinating "costume check" and publicity photos. His rise from child art prodigy to celebrated designer is chronicled, painting a wonderful portrait of his rich contributions to the motion picture, television, and fashion industries. This beautiful book will be loved by all movie buffs, Monroe fans, Hollywood collectors, fashion historians, and students of costume design.

Book by LaVine, W. Robert

Two lifelike paper dolls and 30 haute couture outfits by Chanel, Paquin, Jacques Heim, Mainbocher, Pauline Trigere, Givenchy, Cardin, Norell, other greats. Publisher's Note.

Marilyn Monroe made history by standing over a subway grating in a white pleated halter dress designed by William Travilla. Hubert de Givenchy immortalized the Little Black Dress with a single opening scene in Breakfast at Tiffany's. A red nylon jacket signaled to audiences that James Dean was a Rebel Without a Cause. For more than a century, costume designers have left indelible impressions on moviegoers' minds, yet until now, so little has been known about the designers themselves and their work to compliment and enrich stories through fashion. Hollywood Costume Design presents the history of fashion on film, showcasing

Two dolls and 32 lavish outfits for evening and day wear include Schiaparelli's dark blue wool suit; an Adrian cocktail dress in crepe; a four-tiered wool dress by Germaine Monteil; and much