Clear-cut and accurate in its guidance, this volume depicts medieval clothes and accessories not as inanimate museum exhibits but as items of vital interest and well worth recreating. Unlike conventional costume histories, which tend to classify their contents by era, this volume portrays the clothing of the twelfth through 15th centuries according to the wearer's social class. Here are the garments of royalty, clerics, doctors, merchants, musicians, knights, artisans, farmers, and laborers — all magnificently illustrated with images from tapestries and illuminated manuscripts as well as in drawings and diagrams. Helpful advice covers choosing fabrics; placement of seams; draping and folding garments; how to walk, dance, and climb stairs in the cumbersome unfamiliarity of flowing attire; and even the best methods of storage.

This carefully researched volume offers lovers of both costume and the medieval period a meticulously researched and accurately detailed study of the clothing of the Middle Ages. Following an illuminating discussion of the style and construction of costumes worn in the thirteenth, fourteenth, and fifteenth centuries, noted costume historian Mary G. Houston provides detailed descriptions and illustrations of actual apparel worn by all classes and sectors of society. Included are elaborate royal, academic, and legal costumes; Eucharistic vestments and garments of religious orders; working class apparel; civilian dress; and more. Also examined is a wide variety of accessories and ornaments, jewelry, armor, textiles, embroidery, coiffures, and other items.The clear, succinct text is splendidly documented by 350 black-and-white line illustrations based on contemporary books and manuscripts as well as representations in paintings and sculpture. Indispensable for students of costume history, medievalists, illustrators, and fashion historians, Medieval Costume in England and France will delight anyone interested in the medieval period and its dress.

Over 400 illustrations in this superb pictorial archive trace the evolution of clothing styles, armor, and weapons during the medieval period in Central Europe. Unsurpassed in its comprehensiveness and variety, the volume draws upon a wealth of authentic primary sources, including written accounts, contemporary paintings and sculpture, and the remains of textiles and other relics.A profusion of apparel and weaponry are depicted, ranging from the simple tunics and robes of peasants, blacksmiths, gardeners, shoemakers, fishermen, and other common laborers to the fur-lined cloaks and brocaded garments of the aristocracy. Tools and utensils used by peasants as well as the battle equipment and armor of warriors are also pictured and described, with special emphasis on how these weapons were handled, carried, and used in combat.Accompanied by a scrupulously researched and well-documented text, these royalty-free illustrations not only offer general readers an intriguing and authentic insight into a past age but also provide artists, historians, students of weaponry, and theater and film professionals with a highly accurate source of reference material.

This volume begins with a short introduction by Else Ostergard to the amazing finds of garments from the Norse settlement of Herjolfnes in Greenland. It then features chapters on technique - production of the thread, dyeing, weaving techniques, cutting and sewing - by Anna Norgard. Also included are measurements and drawings of garments, hoods, and stockings, with sewing instructions, by Lilli Fransen. A practical guide to making your own Norse garment!

A superb panoramic study of clothing worn in the Middle Ages. A meticulously researched text is enhanced with nearly 700 illustrations depicting all manner of apparel — from fur-trimmed cloaks and brocaded robes of courtiers and the nobility to simpler mantles, tunics and trousers worn by merchants, huntsmen, and other commoners.

From the humble garb of peasants to the elaborate styles of the nobility, this meticulously researched coloring book offers expertly rendered illustrations of medieval costumes. Both colorists and fashion devotees will adore these lovingly detailed images of lords and ladies decked in regal attire, pilgrims dressed for weeks of rough riding, crusader knights in chain mail armor, and much more.European fashions from the ninth through the fifteenth century appear in this comprehensive fashion retrospective. Forty-five ready-to-color illustrations portray people from every class of society, from farmers in plain tunics, aprons, and kirtles to courtiers in embroidered mantles and brocaded silk robes with fur-trimmed sleeves.Complete, fact-filled captions, in addition to an informative introduction, help make this volume an excellent resource for fashion historians and costume designers as well as a distinctive and entertaining coloring book.

This practical and informative guidebook is a "must-have" for anyone planning to create accurate period costumes for theatrical productions and historical reenactments. From short tunics worn by Saxon men in the fifth century to a lady's bustle dress of the late 1800s, this profusely illustrated text contains a wealth of authentic patterns. Information on pattern sizes, materials required, and methods of sewing accompany simply drawn diagrams for Elizabethan doublets, capes, and trunks; a man's coat and vest from the Restoration period; a lady's bell-shaped gown of the eighteenth century; an early-nineteenth-century empire gown; a crinoline; and other wardrobe items.Diagrams have been carefully and accurately drawn to scale from working patterns, and detailed notes for making costumes include suggestions for the most suitable colors and textures to be used for costumes of particular historical periods. A final section includes diagrams and information for creating period headdresses, caps, and hoods. Students of costume design, home tailors, and community drama groups will welcome this carefully researched guide to fifteen centuries of English fashions.

What People Wore When combines the studies of two classic nineteenth-century illustrators Auguste Racinet and Friedrich Hottenroth for the first time. Their works are presented first by chronology and then by subject, so that illustrators, historians, and students alike can choose to follow the path of fashion through the centuries, or study in detail the contrasting styles of individual clothing and accessories. Silhouettes reveal the shape of style through the ages, detailed cross-references draw attention to recurring motifs, and navigation bars help the researcher to travel the complex chronology of costume.With authoritative narrative from leading experts in the history of costume, extraordinary contemporary quotes that reveal the impact of style in its day, detailed annotation, and an extensive glossary, the book provides a magnificent study of the rich vocabulary of style through the ages.

1340 to 1363 were years remarkable for dramatic developments in fashion and for extravagant spending on costume, foreshadowing the later luxury of Richard II's court. Stella Mary Newton broke new ground with this detailed study, which discusses fourteenth-century costume in detail. She draws on surviving accounts from the Royal courts, the evidence of chronicles and poetry (often from unpublished manuscripts), and representations in painting, sculpture and manuscript illumination. Her exploration of aspects of chivalry, particularly the choice of mottoes and devices worn at tournaments, and of the exchange of gifts of clothing between reigning monarchs, offers new insights into the social history of the times, and she has much to say that is relevant to the study of illuminated manuscripts of the fourteenth century. STELLA MARY NEWTON's lifelong interest in costume has been the mainspring of her work, from early days as a stage and costume designer (including designing the costumes for the first production of T.S. Eliot's Murder in the Cathedral) to her later work at the National Gallery advising on the implications of costume for the purpose of dating, and at the Courtauld Institu... [Read More]

After initial ambivalence about distinctive garb for its ministers, early Christianity developed both liturgical garments and visible markers of clerical status outside church. From the ninth century, moreover, new converts to the faith beyond the Alps developed a highly ornate style of liturgical attire; church vestments were made of precious silks and decorated with embroidered and woven ornament, often incorporating gold and jewels. Making use of surviving medieval textiles and garments; mosaics, frescoes, and manuscript illuminations; canon law; liturgical sources; literary works; hagiography; theological tracts; chronicles, letters, inventories of ecclesiastical treasuries, and wills, Maureen C. Miller in Clothing the Clergy traces the ways in which clerical garb changed over the Middle Ages. Miller’s in-depth study of the material culture of church vestments not only goes into detail about craft, artistry, and textiles but also contributes in groundbreaking ways to our understanding of the religious, social, and political meanings of clothing, past and present. As a language of power, clerical clothing was used extensively by eleventh-century reformers to mark hierarchies, ... [Read More]

Gothic vintage style, floor length with hood, trumpet sleevesThe Medieval princess queen costume dress is a one piece dress, and there is lacing on the back of the dress which can be adjusted to fit your figureFine vintage dress, perfect for Halloween, Theme Party, Photography, and any other special occasionThe great design that will make you the center of attention at any event! A great value to have such wonderful renaissance medieval fancy dress, perfect to weat it join special event, you must will love itGender: WomenSleeve Style: Flare SleeveStyle: VintageOccasion：Halloween，party，MasqueradeSize: S: bust 85cm sleeve 66cm waist 74cm length 158cmM:

Black Medieval Drinking HornBlack Plastic Horn On NecklaceApproximately 13" LongOpening at Top Is Oval And Approximately 3 1/4" On One Side And 2 1/2" On The Other SideOne Size Fits Most

4 PC. Grim Executioner, includes wet look tunic catsuit with net sleeves, rope belt, eye mask, and lace up