Sewing Pattern - Women's Italian Renaissance Gowns, c. 1470-1505. provides patterns for 7 gowns & 1 tabard (sizes 8-18). Two have split skirts. underskirts, and stomachers, to fake an underdress. The underskirts and stomachers can be left off, replaced by a real underdress. Four of the gown patterns have sleeves that tie on. The Renaissance of the 15th and 16th centuries began in politically splintered Italy. The age was humanistic, like the people themselves; the clothing was individualistic, competitive, and even playful. While there were broad similarities, regional variations were the norm. Fashion for woman changed radically after 1460. Evolving from the houpelande (PP26), the bodice was cut separately from the skirt, above the natural waist, and became tight fitting. Skirts could be gathered or pleated or neither. They were often split in front to show the skirt of a sleeveless underdress, which could also show under a V-neck. The chemise (PP90) decorated or not, also often showed at the neck. The sleeves could be slashed to show the chemise sleeve, and were often laced or tied to the bodice, rather than sewn on. This allowed different sets of sleeves to be worn with one gown... [Read More]

Sewing Pattern - Period Patterns number 101, Medieval Military Garments. Medieval Military Garments Chain mail and plate armor were very expensive, and economically unfeasible for the average soldier of the Middle Ages. Most had to make do with padded garments. But even those who could afford armor had to wear padded garments underneath for comfort. Other pieces of clothing were designed to be worn over armor for additional protection or as decoration. Some of these garments were designed for civilian as well as military usage. The primary garment for all soldiers was the padded gambeson, worn alone under armor. Surcoats, worn over armor, gave protection from the elements, and could be decorative as well. A coat of plates gave added protection over mail. Padded lentners and angel-wing tunics, both with puffed chests, were worn under breastplates, or alone. Medieval Military Garments, has 3 gambesons, 3 surcoats, 3 hose, 1 codpiece, 1 cuisse, and a renal belt with pockets for plates to protect the kidneys (sizes S-XL). Great for Game of Thrones Costume, Eddard Stark, Sean Bean, Arryn, Baratheon, Greyjoy, Lannister, Stark, Tully, Tyrell, Rickon Stark, Rodrik Cassel, Maester Luwin, Jo... [Read More]

Sewing Pattern - Women's Undergarments, Ruffs, Collars & Cuffs . Chemises were worn for comfort, to keep body dirt off the outer clothes, and for sleeping. They were also often allowed to show for decoration at the neck, wrist and/or through slashes in the sleeve (PP41, PP51 & PP56). Corsets, farthingales (hooped petticoats) and bumrolls reshaped the body into a fashionable silhouette. These undergarments as well as partlets, ruffs, collars and cuffs were worn for style and social status (the more elaborate and constricting a piece of clothing was, the less practical, thus denoting the higher status of the wearer). Many styles are not complete without the proper undergarments, and others will not have the right shape. Period Patterns number 90, Women's Undergarments, Ruffs, Collars & Cuffs. offers patterns for 5 chemises, 2 corsets 2 partlets, 2 ruffs, 2 bumrolls, 3 collars and cuffs (sizes 8-18 included). These are just the thing to authentically complete Period PP16, PP21, PP26, PP41, PP51 PP56, PP58. Great for Game of Thrones Costume, Eddard Stark, Sean Bean, Arryn, Baratheon, Greyjoy, Lannister, Stark, Tully, Tyrell, Rickon Stark, Rodrik Cassel, Maester Luwin, Jory Cassel, Hodo... [Read More]

Sewing Pattern - Period Patterns number 102, More Medieval Military Garments. More Medieval Military Garments. Padded coifs gave protection to the head, and were necessary for comfort under mail coifs and helmets. A simple collar or gorget gave additional protection to the neck. Cuisses were padded thigh pieces, often with plates and metal kneecaps attached. Hose worn while fighting could be padded in places. Hose ranged from baggy to skintight, dull to wildly colorful. The angel-wing tunic could also be worn as civilian wear. These patterns are functional fighting garb for use in the Society for Creative Anachronism and other re-enactment or recreation groups. They can also be used as is or in an adapted form for civilian wear in these groups, or for stage productions. Period Patterns number 102, More Medieval Military Garments, contains patterns for 2 coats of plates, 1 lentner, 1 angel-wing tunic (with or without dags on the sleeves), 3 coifs and 1 gorget. Great for Game of Thrones Costume, Eddard Stark, Sean Bean, Arryn, Baratheon, Greyjoy, Lannister, Stark, Tully, Tyrell, Rickon Stark, Rodrik Cassel, Maester Luwin, Jory Cassel, Hodor, Ser Rodrik, Septa Mordane, Osha, Roose Bol... [Read More]

Sewing Pattern - Tunics, c. 650-1310 A.D. Chest sizes 16-54" included. Tunics were perhaps the first style to spread throughout Europe, worn from Ireland to Russia, Scandinavia to Byzantium to Spain. They were worn by almost everyone, peasant to noble, from Roman times through the 1300's. Many of the same variations are seen again and again, although a few appear to be limited to one sex or the other and woman's tunics or undertunics were always long. Class differences were shown by the fabric and decoration as well as the cut of the tunic. A nobleman at court might wear a long, full tunic of silk with jeweled embroidery, while working in the field, his poorest peasant would wear a short tunic of coarse wool . Men would usually wear hose (PP43 or PP101) with their tunics, but women didn't. In the first half of the 14th century the discovery that one could cut the armholes and sleeve caps curved, thus achieving a better fit, caused some change in the basic style. With this change the tunic continued to be worn, in a more or less modified form for another 200 years, especially among the lower classes. Pattern has 14 tunics for men, woman and children, with most parts being interchang... [Read More]

Sewing Pattern - Period Patterns number 52, Tudor Era Headdresses, c. 1490-1580 A.D., contains patterns for 17 different headdresses. Use this pattern with PP41, PP46, PP51, and PP56. Even in headdresses, the Renaissance was much more individualistic than the Middle Ages had been. Many radically different styles of headdresses were fashionable during the Tudor period in France, England, Flanders and the Netherlands. In general, the more elaborate headdresses were smaller and cut closer the head than previous fashions. The simpler ones were more tailored than the many different varieties of veils favored in earlier fashion trends. Snoods were worn without veils, and many different versions of hoods were seen. Some styles were seen almost exclusively in one area or country, while others were more widespread. Stockingette cap, Gable Headdress, coif, French Hood, Swallowtail Headdress, Snood, Renaissance Headdresses, Tudor Headdresses. Great for SCA or Game of Thrones Costume, Eddard Stark, Sean Bean, Arryn, Baratheon, Greyjoy, Lannister, Stark, Tully, Tyrell, Rickon Stark, Rodrik Cassel, Maester Luwin, Jory Cassel, Hodor, Ser Rodrik, Septa Mordane, Osha, Roose Bolton, , Loras Tyrell, ... [Read More]

Sewing Pattern - Period Patterns number 46, Woman's German Puff-and-Slash, c. 1500-1545 A.D. Woman's styles in early Renaissance Germany developed from the Italian Renaissance styles but like the men's fashions, went far beyond the Italian creations. Cartridge pleating was used extensively at the waist, and guards (trim of a contrasting fabric) became fashionable on the bodice and skirt. The bodice evolved one version with a cut-away front spanned by a bust band of another, elaborately decorated fabric, below which the bodice was laced together over the chemise (PP90) or a plastron. High standing collars became popular. Sleeves were slashed in many different ways, although less wildly than the men's sleeves, and different styles were tied, laced or sewn on. The bust band was also occasionally slashed. The chemise showed under the slashes, and was often elaborately decorated when it showed at the neck. Decoration was rich, and jewels and metallic embroidery were often used. Period Patterns number 46, Woman's German Puff-and-Slash, c. 1500-1545 A.D., includes patterns for 6 gowns and 3 shoulder capes. This pattern is complimented by PP52, PP90, PP92 and PP93. Great for Game of Throne... [Read More]

Sewing Pattern to make 15th Century Women's Kirtle & Sleeves Pattern. This Reconstructing History Pattern is for fifteenth century kirtle and sleeves for late medieval common woman or under-dress for high medieval noblewoman. 15th century Women's Kirtle & Sleeves. Complete pattern for Kirtle and sleeves. Fits busts 30 1/2"-48" and waists 23"-41". All sizes included in one envelope. Embellishment suggestions included. Tudor, Elizabethan, Colonial, English Civil War, Cavalier, Renaissance, Medieval. Great for Game of Thrones Costume, Eddard Stark, Sean Bean, Arryn, Baratheon, Greyjoy, Lannister, Stark, Tully, Tyrell, Rickon Stark, Rodrik Cassel, Maester Luwin, Jory Cassel, Hodor, Ser Rodrik, Septa Mordane, Osha, Roose Bolton, , Loras Tyrell, Renly Baratheon, Jeor Mormont, Aemon Targaryen, Bowen Marsh, Benjen Stark, Ser Alliser Thorne, Yoren, Samwell Tarly, Qhorin Halfhand, Illyrio, Mopatis, Pyat Pree, Xaro Xhoan Daxos, Syrio Forel, Shae, Gendry, Jaqen H'ghar, Princess Myrcella, Prince Joffrey, Cersei Lannister, Tommen Baratheon, Pycelle, Lord Varys, Ser Barristan Selmy, Ser Ilyn, Hallyne, Dontos, Ygritte, The Lord of Bones, Galbart Glover , Gared, Jhiqui, Eddard Stark, Robert Barathe... [Read More]

Sewing Pattern - 1770's Cloak with hood Pattern. Multisized 6-18. Semi-Circle mid calf length cape with hood; hooks at the neck. Optional front arm slits. Colonial, Revolutionary War, Civil War, Western, Victorian, Edwardian and Regency. Great for Game of Thrones Costume, Eddard Stark, Sean Bean, Arryn, Baratheon, Greyjoy, Lannister, Stark, Tully, Tyrell, Rickon Stark, Rodrik Cassel, Maester Luwin, Jory Cassel, Hodor, Ser Rodrik, Septa Mordane, Osha, Roose Bolton, , Loras Tyrell, Renly Baratheon, Jeor Mormont, Aemon Targaryen, Bowen Marsh, Benjen Stark, Ser Alliser Thorne, Yoren, Samwell Tarly, Qhorin Halfhand, Illyrio, Mopatis, Pyat Pree, Xaro Xhoan Daxos, Syrio Forel, Shae, Gendry, Jaqen H'ghar, Princess Myrcella, Prince Joffrey, Cersei Lannister, Tommen Baratheon, Pycelle, Lord Varys, Ser Barristan Selmy, Ser Ilyn, Hallyne, Dontos, Ygritte, The Lord of Bones, Galbart Glover , Gared, Jhiqui, Eddard Stark, Robert Baratheon, Tyrion Lannister, Catelyn Stark, Ser Jaime Lannister, Cersei Baratheon, Daenerys, Ser Jorah Mormont, Lord Petyr Baelish, Viserys Targaryen , Jon Snow, Robb Stark, Sansa Stark, Arya Stark,Theon Greyjoy, Joffrey Baratheon, Sandor Clegane, Khal Drogo Great John Ca... [Read More]

Sewing Pattern - Period Patterns number 51, Early Tudor Woman's gowns, c. 1490-1535. Includes patterns for 5 gowns (sizes 6-20). The Tudor period marked the beginning of the Renaissance in England, and fashion (especially after 1509) reflected the change. Henry VII, who usurped the throne in 1485, was extremely frugal, and fashion changed slowly during his reign. Henry VIII inherited the throne with a large treasury at the age of 18, and the court blossomed. He was insecure, aggressive, blatantly masculine and suddenly extremely rich. All of which reflected in the opulent new fashions, especially for men. During Henry's reign, styles for both sexes combined elements of German, Spanish and Italian fashions, with heavy French influence overall. The quintessence of what is usually thought of as "Tudor" fashion is shown in view IV for men, and view V for women. As befitted their role in society, woman's fashions were somewhat less flamboyant then the men's. The kirtle was almost identical to a cotehardie (PP21), with the addition of cuffs. The skirts started to be cut separately from the bodice, with the cut of the bodice neckline becoming square. The adoption of tight corsets and Span... [Read More]

Daenerys targaryen cosplay costume included dress and belt, which exquisite design and elegant look, you will love it.Game of Thrones Dragon Mother cosplay blue dresses, which is made of fabrics material, soft and comfortable to wear.Dragon Mother Dress Women Costume :Suitable for dress-up, Halloween, theme parties, cosplay game, role play, Masquerade etc.Small size: Chest: 90.2cm / 35.5'', Waist: 77.5cm / 30.5'', Hip: 97.8cm / 38.5''.Medium size: Chest: 95.3cm / 37.5'', Waist: 82.6cm / 32.5'', Hip: 102.9cm / 40.5''.Material: FabricsColor: BlueGender: FemalePacking included: 1 x Dragon Mother

Sandor Clegane has a dangerous bite. Be just as dangerous when you put on the Game of Thrones Adult The Hound Helmet. A reproduction of the battle helmet the Hound wore when he battled Beric Dondarrion, it fits over your head and features a dog face with open

Dragon Wings