Exquisite and labor-intensive, phulkari (“floral-work” or “flower-craft”) embroideries were originally produced by women in towns and villages across the greater Punjab, a region that today straddles Pakistan and India, from at least the early 19th century into the first decades of the 20th. Phulkaris were made from brightly colored silk thread on rough, earth-toned fabric. When done for domestic use, they functioned primarily as women’s wraps at weddings or other important events. Especially following the Punjab’s devastating partition in 1947, phulkaris were also produced as commercial exports. Focusing on a group of nineteen stunning works from the collection of Jill and Sheldon Bonovitz, Phulkari surveys the genre’s fascinating history. This is the first publication outside South Asia specifically on this art form. It also offers significant new information on the craft and its importance to personal, familial, and regional identity in the past and the present. 

One of the most admired women in the world, Grace Kelly (1929–1982) is remembered for her beauty, poise, and style. Her “fairy-tale” wedding to Prince Rainier of Monaco in 1956 was one of the most celebrated of the century. To commemorate its 50th anniversary, this lovely book tells the story behind her wedding gown, cap, veil, shoes, and prayer book—all given by the new princess to the Philadelphia Museum of Art shortly after the ceremony. Philadelphia-born Grace Kelly rocketed to Hollywood stardom, becoming a major box-office draw and winning an Academy Award. She also was an icon of classic American style, which became known as the “Grace Kelly Look.” After examining the development of the star’s on- and off-screen style, the book focuses on her magnificent wedding dress, designed by Helen Rose and made by MGM Studios under top secret security. Public interest in the star’s wedding dress was intense, and it remains one of the most popular objects in the Museum’s collection.Stunning color images detail the wedding dress, accessories, and attendants’ dresses, which are also owned by the Museum. Numerous historical photographs illustrate the actress’s career, sty... [Read More]

Published to mark the twenty-fifth anniversary of the Philadelphia Museum of Art craft show, Crafting a Legacy showcases the Museum's burgeoning collection of contemporary American crafts. More than one hundred color plates illustrate many of the Museum's prime holdings in ceramics, wood, fiber, glass, metal, and furniture. Entries on sixty-four featured artists, including Dale Chihuly, Wharton Esherick, Sheila Hicks, and Peter Voulkos, place their work in the context of the dynamic field of American crafts. Suzanne Ramljak reveals the valuable role that crafts play in contemporary culture and artistic practice. In a world of bland, mass-produced consumer goods and technologically mediated virtual experience, Ramljak argues that crafts-one-of-a-kind handmade objects-can reawaken our senses. In his introduction, Darrel Sewell, the Robert L. McNeil, Jr., Curator of American Art, outlines the history of the crafts collection at the Philadelphia Museum of Art, as well as the vital role Philadelphia has played as a center for innovation in contemporary crafts. The book also includes an illustrated checklist of the Museum's more than three hundred holdings in contemporary crafts. Craftin... [Read More]

Nearly four hundred textiles from East and West are reproduced in full color in this handbook of the Philadelphia Museum of Art's encyclopedic collections, which cover a broad range of geographic areas, periods, and techniques.Each chapter is introduced by a brief history of that particular aspect of the museum's collections, placing it within the context of textile scholarship and collecting in the United States and Europe.

This first book-length study on kanthas published outside of South Asia focuses on two premier collections, one assembled by the legendary historian of Indian art, Dr. Stella Kramrisch, the other by Jill and Sheldon Bonovitz, leading proponents of self-taught art. Created from worn-out garments imaginatively embroidered by women with motifs and tales drawn from a rich regional repertoire, kanthas traditionally were stitched as gifts for births, weddings, and other family occasions. Innovative essays by leading scholars explore the domestic, ritual, and historical contexts of the fascinating quilts in these collections—made between the mid-19th and mid-20th century in what is today Bangladesh and West Bengal, India—and trace their reinterpretation as emblems of national identity and works of art.  

Exploring the origins and lasting significance of a dynamic, subversive, and interactive art form This is the first publication to consider art to wear, also known as wearable art, as a discrete American movement that mirrored the cultural, political, social, and spiritual concerns of a generation that came of age in the late 1960s and 1970s. Trained primarily in the fine arts, they adopted nontraditional forms, materials, and techniques to create works using the body as an armature. Collectively, these practitioners have had a significant but underrecognized impact on art making and education. Their legacy continues today among younger artists who have embraced multimedia forms of expression.     Rich archival and newly commissioned photography bring to life one-of-a-kind work by more than 75 artists, including Gaza Bowen, Jean Cacicedo, Marian Clayden, Ben Compton, Marika Contompasis, Nicki Hitz Edson, Tim Harding, Sharron Hedges, Ana Lisa Hedstrom, Nina Vivian Huryn, Whitney Kent, Ina Kozel, Susanna Lewis, Janet Lipkin, K. Lee Manuel, Linda Mendelson, Norma Minkowitz, Anna VA Polesny, Debra Rapoport, Mario Rivoli, Dina Knapp, Joan Steiner, Arlene Stimmel, Jamie Summers, JoEl... [Read More]

A dazzling tour of selected highlights from the Philadelphia Museum of Art's collection of fashionable dresses beginning with several masterpieces by the father of haute couture, Charles Frederick Worth, most of which were made for and owned (or yearned after) by American women.The first garments collected by the museum after its founding in 1876 provided early costume historians with a rich resource for the study of historic American dress, and with the opening of the first costume galleries under the sponsorship of the Fashion group of Philadelphia in 1947, the collection expanded its focus to include fine examples of contemporary design as well.

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