From an iconic portrait of a young Elizabeth I to the many paintings of Charles I by Flemish master Anthony Van Dyck and the glamorous “Windsor Beauties” of the court of Charles II, sixteenth- and seventeenth-century portraiture has long been a source of great interest to costume historians. Given the scarcity of surviving garments, it also tells us most of what we know about Tudor and Stuart dress. We’re all familiar with the stockings, voluminous breeches, and elaborate lace ruffs, but did you know that the clothing seen in many of these paintings cost more than the paintings themselves? For In Fine Style, Anna Reynolds, curator of paintings at the Royal Collection, has drawn on the art of the period, as well as wardrobe inventories, literary references, contemporary accounts, and surviving garments to offer a fascinating account of the elite fashions of the day and the ways in which they were recreated in paint. The gold threads seen throughout the forepart of Elizabeth’s gown were costly, while the red dye that colored it came from crushed beetles and would have had to have been imported from Spain. Other works show their subjects with intricate ruffs, bright stockings,... [Read More]

What’s a neglected wife to do when her husband doesn’t know she exists? Create a scandal, of course, in this delightful Elizabethan romp.After ten years of marriage, Frances LeSieur has faded into her role as a lady wife and mother. She has no idea who she is as a woman. So Frances joins Queen Elizabeth’s glittering court and discovers a part of herself she never knew existed—and one she’s sure her neglectful husband would never notice. Henry has always done his duty to family and crown despite his own desires. When Frances asks for a separation then transforms into a confident and vibrant courtier, he’s floored—and finds himself desperate to learn what makes her tick, both in and out of the bedroom. After years of silent alienation, can he woo her back, or will he lose this intoxicating woman to one of the rakes hell-bent on having her? As Frances and Henry come to realize that living is not merely surviving, can they create a second chance at love before it’s too late? Sensuality Level: Sensual

Presents the major fashion developments of the period, and compares the clothing and lifestyles of people from different backgrounds

Luxurious, beautiful, and portable, tapestry was the pre-eminent art form of the Tudor court. Henry VIII amassed an unrivaled collection over the course of his reign, and the author weaves the history of this magnificent collection into the life of its owner with an engaging narrative style. Now largely dispersed or destroyed, Henry’s extensive inventory is here reassembled and reveals how, through tapestry, Henry identified himself with historic, religious, and mythological figures, putting England in dialogue―and competition―with the leading courts of Early Modern Europe while promoting his own religious and political agendas at home. Campbell’s original account sheds new light on Tudor political and artistic culture and the court’s response to Renaissance aesthetic ideals. Sumptuously illustrated with newly commissioned photographs, this stunning re-creation of Europe’s greatest tapestry collection challenges the predominantly text-driven histories of the period and offers a fascinating new perspective on the life of Henry VIII.

An eight-volume set examining the development of costume and fashion and the social history that gave rise to it. It depicts the changing styles, processes, and trends - from the first people to wear clothes in the last Ice Age to the courtly fashion of medieval Europe to the globalization of Western style - that led us to the clothing of today.

Tony Award-winning actor Mark Rylance and Emmy Award-winner Damian Lewis star as Thomas Cromwell and King Henry VIII in this adaptation of Hilary Mantels best-selling novels. A historical drama for a modern audience, Wolf Hall charts Cromwells meteoric rise in the Tudor court from blacksmiths son to Henry VIIIs closest advisor, trapped between his desire to do what is right and his instinct to survive.

Riveting, adventurous. . .superb! --Historical Novel SocietyFollowing her perilous fall from a throne she'd scarcely owned to begin with, Mary, Queen of Scots, has fled to England, hoping her cousin, Queen Elizabeth, will grant her asylum. But now Mary has her sights on the English crown, and Elizabeth enlists her most trusted subjects to protect it. Justine Thornleigh is delighting in the thrill of Queen Elizabeth's visit to her family's estate when the festivities are cut short by Mary's arrival. To Justine's surprise, the Thornleighs appoint her to serve as a spy in Mary's court. But bearing the guise of a lady-in-waiting is not Justine's only secret. The weight of her task is doubled by fears of revealing to her fiancé that she is in truth the daughter of his family's greatest rival. Duty-bound, Justine must sacrifice love as she navigates a deadly labyrinth of betrayal that could lead to the end of Elizabeth's fledgling reign. . .Compelling and inventive, Blood Between Queens artfully blends history's most intriguing figures with unforgettable characters, bringing to dazzling life the fascinating Tudor era. "Colorful descriptions, accurate details and exciting twists. . .desi... [Read More]

The author of The September Queen explores Tudor England with the tale of Bess of Hardwick—the formidable four-time widowed Tudor dynast who became one of the most powerful women in the history of England.   On her twelfth birthday, Bess of Hardwick receives the news that she is to be a waiting gentlewoman in the household of Lady Zouche. Armed with nothing but her razor-sharp wit and fetching looks, Bess is terrified of leaving home. But as her family has neither the money nor the connections to find her a good husband, she must go to facilitate her rise in society.   When Bess arrives at the glamorous court of King Henry VIII, she is thrust into a treacherous world of politics and intrigue, a world she must quickly learn to navigate. The gruesome fates of Henry’s wives convince Bess that marrying is a dangerous business. Even so, she finds the courage to wed not once, but four times. Bess outlives one husband, then another, securing her status as a woman of property. But it is when she is widowed a third time that she is left with a large fortune and even larger decisions—discovering that, for a woman of substance, the power and the possibilities are endless . . .... [Read More]