This practical and informative guidebook is a "must-have" for anyone planning to create accurate period costumes for theatrical productions and historical reenactments. From short tunics worn by Saxon men in the fifth century to a lady's bustle dress of the late 1800s, this profusely illustrated text contains a wealth of authentic patterns. Information on pattern sizes, materials required, and methods of sewing accompany simply drawn diagrams for Elizabethan doublets, capes, and trunks; a man's coat and vest from the Restoration period; a lady's bell-shaped gown of the eighteenth century; an early-nineteenth-century empire gown; a crinoline; and other wardrobe items.Diagrams have been carefully and accurately drawn to scale from working patterns, and detailed notes for making costumes include suggestions for the most suitable colors and textures to be used for costumes of particular historical periods. A final section includes diagrams and information for creating period headdresses, caps, and hoods. Students of costume design, home tailors, and community drama groups will welcome this carefully researched guide to fifteen centuries of English fashions.

The only substantial treatment of this renowned Old Master's portraiture in printAccompanies the major exhibition at The Frick Collection from February to June 2019Offers new insights by experts in the field with accessibly written text Giovanni Battista Moroni is considered one of the great portraitists of sixteenth-century Italy. Published with The Frick Collection to accompany the first major exhibition devoted to the artist in the United States, this sumptuous volume celebrates the painter's eye for exquisite detail in depicting his sitters' interior and material worlds. New scholarship includes in-depth studies of individual portraits, as well as essays on the artist in the context of portrait painting in northern Italy in the later cinquecento.The publication is linked to an exhibition running at The Frick Collection from February to June 2019.

Knights clad in chain mail populate these pages, alongside crowned heads in royal regalia and common folk in their finest apparel. Scrupulously authentic in every detail, these images offer colorful portraits that span centuries of fashion, from the Middle Ages through the Renaissance.Raphaël Jacquemin was preeminent among the fashion illustrators and historians of nineteenth-century Europe's golden age of fashion design publications. His 1869 Iconographie Générale et Méthodique du Costume du IV au XIX Siècle drew upon manuscripts, reliefs, and effigies from the Louvre, university libraries, and other archives for the most striking and accurate fashion statements from the fourth through seventeenth centuries. This collection features ninety of Jacquemin's magnificent hand-colored engravings, a gallery of iconic portraits that have served as museum exhibits in their own right. Fashion designers, artists, costumers, and others seeking authenticity of period detail—as well as inspiration for contemporary styles—will find this book a splendid resource.

The Renaissance marked Europe's transition from medieval to modern times. Art, literature, and science flowered in the fifteenth and sixteenth centuries, while a vigorous trade with the Far East via newly developed sea routes enabled Italian merchants to supply a recently evolved middle class with materials and adornments for elaborately designed apparel.After careful research, illustrator Tom Tierney has portrayed this dynamic age by accurately rendering an amazing diversity of clothing styles. Forty-five finely detailed, ready-to color illustrations showing attifets, chopines, doublets, farthingales, houppelandes, and other elements of Renaissance garb depict: an Italian peasant couple dressed for their wedding day (c. 1450); an Italian knight in steel armor (c. 1460); an English lord and lady in riding outfits (c. 1510); children of a German royal family garbed in velvet and accompanied by a soberly dressed nanny (c. 1550); and many more outfits designed for various activities and occasions. In addition, seven plates feature dozens of examples of fashionable headgear, footwear, and hairstyles for men and women, from several stages in the flourishing of Renaissance styles.Descrip... [Read More]

This carefully researched volume offers lovers of both costume and the medieval period a meticulously researched and accurately detailed study of the clothing of the Middle Ages. Following an illuminating discussion of the style and construction of costumes worn in the thirteenth, fourteenth, and fifteenth centuries, noted costume historian Mary G. Houston provides detailed descriptions and illustrations of actual apparel worn by all classes and sectors of society. Included are elaborate royal, academic, and legal costumes; Eucharistic vestments and garments of religious orders; working class apparel; civilian dress; and more. Also examined is a wide variety of accessories and ornaments, jewelry, armor, textiles, embroidery, coiffures, and other items.The clear, succinct text is splendidly documented by 350 black-and-white line illustrations based on contemporary books and manuscripts as well as representations in paintings and sculpture. Indispensable for students of costume history, medievalists, illustrators, and fashion historians, Medieval Costume in England and France will delight anyone interested in the medieval period and its dress.

Includes King Arthur Medieval Costume, Red, with Tunic, Cape & Crown. Please note that all our Smiffys products will always come in full Smiffys branded packaging.

This easy-to-use handbook presents step-by-step instructions and patterns for a tremendous variety of clothes and accessories from colonial times through the Civil War. More than eighty illustrations depict Puritan, Dutch, Quaker, and Native American garb as well as military uniforms. A bonus CD features every pattern in vector files. Drawing upon authentic materials in the collections of major museums, including the American Museum of Natural History and the Metropolitan Museum of Art, the author presents accurate renditions of generations of American formal and leisure wear. Costumers of all kinds will find this book a source of inexpensive apparel for amateur theater troupes, school pageants, and casual reenactments. It will also prove an inspiration to parents and children seeking informal costumes for Halloween and other occasions.

The Tattoo History Source Book is an exhaustingly thorough, lavishly illustrated collection of historical records of tattooing throughout the world, from ancient times to the present. Collected together in one place, for the first time, are texts by explorers, journalists, physicians, psychiatrists, anthropologists, scholars, novelists, criminologists, and tattoo artists. A brief essay by Gilbert sets each chapter in an historical context. Topics covered include the first written records of tattooing by Greek and Roman authors; the dispersal of tattoo designs and techniques throughout Polynesia; the discovery of Polynesian tattooing by European explorers; Japanese tattooing; the first 19th-century European and American tattoo artists; tattooed British royalty; the invention of the tattooing machine; and tattooing in the circus. The anthology concludes with essays by four prominent contemporary tattoo artists: Tricia Allen, Chuck Eldridge, Lyle Tuttle, and Don Ed Hardy. The references at the end of each section will provide an introduction to the extensive literature that has been inspired by the ancient-but-neglected art of tattooing. Because of its broad historical context, The T... [Read More]

This publication, the first of its kind in many decades, draws together thirty-six rare and sumptuous European textiles created between the late fourteenth and late sixteenth centuries. Incorporating objects made both for secular and liturgical use, it explores the contexts of their creation, their functions and purpose, and their changing fortunes over the course of the subsequent centuries.After goldsmiths' work, tapestries and embroideries were among the costliest art forms of the Middle Ages, due to their precious materials and the countless hours required to produce them. Whether hung on the wall or worn about the person, textiles provided a potent display of their owners’ wealth and status. Their vivid decoration also provided the perfect backdrop for courtly pageants, royal ceremonies, and liturgical festivals. Even the quickest glance at late medieval paintings shows just how forcefully textiles shaped the visual texture of the occasions they depict. Though always the works of specialist craftsmen, in the later Middle Ages textiles were often made following designs supplied by the leading painters and designers of their age. Yet only a tiny fraction of what was made has s... [Read More]

Moeurs, Usages Et Costumes Au Moyen Age Et A L'epoque De La Renaissance... (French Edition)

Moeurs, Usages Et Costumes Au Moyen Age Et A L'e Poque de La Renaissance

Moeurs, Usages Et Costumes Au Moyen Age Et A L'e Poque de La Renaissance